Martin Cullingford's pick of the finest recordings from this month's reviews.
Here are the titles available from Naxos Direct.
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Byrd Psalmes, Songs and Sonnets 
The Sixteen / Harry Christophers 

"As we look ahead to Byrd’s 400th anniversary next year, here’s a wonderful recording of his last full publication, a mixture of styles from psalms to madrigals, gloriously performed by The Sixteen."  (Gramophone) 

The Psalmes, Songs and Sonnets of 1611 was William Byrd’s final publication. And what a superbly fitting culmination to a lifetime of musical service it is! As well as being packed with variety and invention – including both sacred and secular music and using a range of forces from small trios to consorts to full choir – it is probably the happiest, most serene collection of music Byrd ever produced. Ahead of the 400th Anniversary of William Byrd’s death in 2023, The Sixteen and Harry Christophers are joined by celebrated Viol Consort, Fretwork, for this new complete recording of the Psalmes, Songs and Sonnets of 1611.

259 kr
Image #2 NOVEMBER 2021
Bruckner Symphony No 4 
London Symphony Orchestra / Sir Simon Rattle

"‘A beautifully articulated, free-flowing performance’ is how Richard Osborne describes this fascinating and perceptive account of Bruckner’s Fourth Symphony." (Gramophone) 

"The air shimmers and glows, and somewhere in the mists, a solitary horn gives a lonely call. The stuff of fairytales? The truth is, it's impossible to write about Bruckner's majestic Fourth Symphony without letting the imagination soar; he never wrote anything more colourful, or more poetic. In Germany, they call it the 'Romantic' symphony, and it's easy to hear why.
Sir Simon Rattle loves Bruckner's Fourth, and on this new recording from LSO Live, he conducts the work in all its splendour: music that never gets any less stirring, and has never sounded so fresh. He is aware, too, that Bruckner's inspiration burned so brightly that he ended up with more ideas than he could actually use. ""There is much wonderful music which remains almost entirely unplayed"" he says. On this album he steps inside Bruckner's workshop, bringing to light some of the music that didn't make the final cut.
This edition of the symphony and its discarded Scherzo and Finale by Benjamin-Gunnar Cohrs was published in 2021. The world premiere performance with Sir Simon Rattle and the LSO is a must-listen for lovers of Bruckner's music, and gives us a glimpse into the composer's untold musical thoughts."

239 kr
Image #3 NOVEMBER 2022
Schubert Symphonies Nos 8 & 9 
Le Concert des Nations / Jordi Savall 

"Jordi Savall and Le Concert des Nations follow their excellent Beethoven cycle with a period pairing of two Schubert symphonies, both receiving performances of persuasive power." (Gramophone) 

Jordi Savall releases his first Schubert album, following a recording of Beethoven’s complete symphonies which largely contributed to renew our vision of the early Romantic repertoire. The Catalan maestro delivers a recording freed from the weight of past traditions to underline the dynamics, the section balance and the timbres that are required in this repertoire. Jordi Savall decided to entitle this album Transfiguration, because, as he explains, we are always astonished at Schubert’s ability to reach this essentially internal and spiritual dimension, this kind of Transfiguration, which he simply sums up as follows in his diary in 1824 : ‘My production is the result of my musical knowledge and my pain’ or, to quote a poem he wrote a little earlier:
When I wanted to sing love,
it turned into pain.
when I wanted to sing pain,
it turned into love.

299 kr
Image #5 NOVEMBER 2022
Debussy ‘Early and Late Piano Pieces’ 
Steven Osborne pf 

"Each new album from pianist Steven Osborne offers beautifully prepared interpretations with something distinctive to say about the repertoire – and this latest Debussy recital is no exception." (Gramophone) 

A programme which bridges Debussy’s first work for piano (the ‘Danse bohémienne’, from 1880) and his last (‘Les soirs illuminés par l’ardeur du charbon’, from 1917). Steven Osborne is equally responsive to the very different musical moods of both.

169 kr
Image #7 NOVEMBER 2022
Steelant Two Requiems 
CantoLX; B’Rock Orchestra / Frank Agsteribbe 

"Two Requiems from the 17th-century composer Philippe van Steelant show the breadth of his style and, in this excellent recording, make a strong case for his music." (Gramophone) 

cantoLX, B’Rock Orchesta and conductor Frank Agsteribbe present Antwerp Requiem c. 1650, an album showcasing the exceptional wealth of musical life in Antwerp in the age of Rubens. Philippus van Steelant’s recently-rediscovered Requiem settings are unique in their exuberant splendour, tied to a funerary culture that embraced the glory of life. B’Rock Orchestra is one of today’s most forward-thinking period orchestras with a desire for encounter and exchange. The ensemble returns to Pentatone after having released Schubert’s complete symphonies with conductor René Jacobs between 2018 and 2022. cantoLX approaches vocal music with stylistic excellence and vocal purity. Their artistic leader Frank Agsteribbe was one of B’Rock’s founders, and brings the two ensembles together for this recording. cantoLX and Agsteribbe both make their Pentatone debut.

159 kr
Image #8 NOVEMBER 2022
‘The Psalms’ 
The Choir of St John’s College, Cambridge / Andrew Nethsingha

"‘Psalm-singing informs everything else we do,’ says Andrew Nethsinga; this beautifully sung recording from St John’s takes us into that powerful and poetic heart of choral life." (Gramophone) 

The Choir of St John’s have received glowing praise for their previous releases, culminating in the choral prize at the 2017 BBC Music Magazine Awards for their debut release of works by Jonathan Harvey (Deo SIGCD456). The Choir of St John’s College, Cambridge is one of the finest collegiate choirs in the world, known and loved by millions from its broadcasts, concert tours and recordings. Founded in the 1670s, the Choir is known for its distinctive rich, warm sound, its expressive interpretations and its breadth of repertoire. Alongside these musical characteristics, the Choir is particularly proud of its happy, relaxed and mutually supportive atmosphere, which as of 2022 invites their first female scholars.

159 kr
Image #9 NOVEMBER 2022
Donizetti. Rossini ‘French Bel Canto Arias’ 
Lisette Oropesa sop Dresden Philharmonic Orchestra / Corrado Rovaris

"Here is a superb album of bel canto arias either written or revised for Paris performances from a star soprano." (Gramophone) 

On her second solo album Lisette Oropesa has combined two of her greatest loves, the French language and Italian bel canto. This recording with the Dresdner Philharmonie under the baton of Corrado Rovaris showcases the variety of lesser-known and more popular works by Rossini and Donizetti, featuring arias that contain coloratura, lyricism, drama, heightened emotion, and even comedy. Star soprano Lisette Oropesa made her Pentatone debut with Ombra Compagna, Mozart Concert Arias in 2021, and sung the title heroine in a complete recording of Verdi’s La Traviata, also released on the label in 2022. The Dresdner Philharmonie was involved in that same recording, and has also participated in several other recordings released by Pentatone, such as Weber’s Der Freischütz (2019), Mascagni’s Cavalleria Rusticana, Puccini’s Il Tabarro (both 2020) and Beethoven’s Fidelio (2021). Conductor Corrado Rovaris particularly excels in bel canto and verismo repertoire, and makes his Pentatone debut.

189 kr
Image #10 NOVEMBER 2022
Handel Amadigi di Gaula 
Sols; Early Opera Company / Christian Curnyn

"A lesser-known Handel opera, Amadigi di Gaula, given excellent advocacy by some superb soloists, Christian Curnyn and players, and our new Label of the Year." (Gramophone) 

Countertenor Tim Mead leads an all-star cast in the Early Opera Company’s recording of Handel’s Amadigi di Gaula, conducted by Christian Curnyn. The opera was first performed in London in 1715, in the first season under the reign of George I, in the King’s Theatre on the Haymarket. The complex, twisting plot features lovers Amadigi and Orianna, imprisoned by the sorceress Melissa (who wants Amadigi’s love). Amadigi’s ally Dardano turns against his friend when he realizes his love for Orianna (with whom Dardano is in love) and sides with Melissa. Her plans are repeatedly foiled, and true love triumphs at the final curtain! Amadigi is considered the finest of his early London operas in terms of musical sophistication, theatrical pacing, and a perfectly balanced exploration of the interconnected relationships, motivations, and emotional divergences among just four dissimilar yet equally arresting characters.

359 kr
Image DVD: NOVEMBER 2022
Catalani La Wally 
Sols; Vienna Symphony Orchestra / Andrés Orozco-Estrada 

"La Wally is surprisingly unrepresented on record, but we here have, writes Hugo Shirley, ‘a powerful, intelligent account’." (Gramophone) 

Catalani’s masterpiece, first performed in 1892 at La Scala in Milan, is best known for its aria “Ebben? Ne andrò lontana”. With nuanced harmonies and colourful instrumentation, he pays great attention to the orchestra sound. He chose highly unusual material for his opera: the successful novel Die Geier-Wally by Wilhelmine von Hillern tells the story of a young woman who does not fit any of the gender clichés of the time. Unlike many earlier operatic heroines commanded to marry against their will, Wally does not look for a solution in society, but instead runs away to the mountains. Her husband must be her equal, someone unafraid to face both a bear and her father. “Izabela Matula - A Wagnerian hell of a woman with a great soprano.” (Kronenzeitung) / “Catalani’s highly dramatic music finds an intense advocate in Andrés Orozco-Estrada on the podium of the excellently disposed Wiener Symphoniker.” (Wiener Zeitung)

299 kr
349 kr
Shostakovich Symphonies Nos 4 & 11 
BBC Symphony Orchestra; BBC Philharmonic Orchestra / Gennady Rozhdestvensky 

"Rozhdestvensky knew Shostakovich and gave the Western premiere of his Fourth Symphony, and this 1978 performance, paired with the Eleventh, is electrifying." (Gramophone) 

Gennady Rozhdestvensky (1931-2018) was one of Russia’s greatest conductors along with Evgeny Mravinsky and Kirill Kondrashin. His close personal and musical relationship with Shostakovich began in the 1950s and continued until the composer’s death in 1975. Rozhdestvensky said at the time, ‘It would be difficult to overestimate the significance of my relations with Dmitri Shostakovich since he opened before me a musical universe like a gigantic magnifying glass reflecting our fragile world’. Rozhdestvensky conducted the first western premiere of Shostakovich’s Symphony No.4 in Edinburgh in 1962 and after many subsequent performances internationally, it was also the inaugural piece in his tenure as chief conductor of the BBC Symphony Orchestra (1979-81). Composed in 1936 but condemned by the Soviet authorities, it did not receive its first performance until 1961 in Moscow. The epic Symphony No.11, given a dramatic performance by the BBC Philharmonic in 1997, is based on revolutionary folksongs relating to the 1905 Russian Revolution, and received the Lenin Prize in 1958. Despite this, questions arose as to whether Shostakovich was denouncing the Soviet regime’s brutal treatment of its opponents in it, specifically the 1956 invasion of Hungary or the Tsarist tyranny and oppression of 1905, to which there are no conclusive answers.

229 kr
Image #2 OCTOBER 2021
JS Bach ‘Harpsichord Concertos, Vol 3’ 
Il Pomo d’Oro / Francesco Corti hpd 

"A fascinating series continues with Francesco Corti joined by colleagues – including on a second harpsichord – for Volume 3. Scintillating playing, and excellently recorded." (Gramophone) 

Francesco Corti and il pomo d’oro continue their acclaimed series of Bach harpsichord concertos, now moving to the works for two harpsichords, BWV 1060-1062, together with Andrea Buccarella. Compared to the previous two instalments, the accompanying ensemble is small, allowing for maximal transparency and focus on the soloists. The greatest discographic asset of this album is Corti’s arrangement of Bach’s unfinished concerto for harpsichord, oboe and strings in D Minor, BWV 1059. In his extensive contribution to the booklet, Corti explains why and how he used parts of Cantata BWV 35 to complete the score. Emmanuel Laporte performs the solo oboe. Francesco Corti belongs to the most established harpsichordists of his generation, and releases his third PENTATONE Bach harpsichord concertos album, after releases in 2020 and 2021. He works together with the multi-award-winning ensemble il pomo d’oro, who also recorded three vocal recital albums with PENTATONE: Carnevale 1729 with Ann Hallenberg (2017), Prologue with Francesca Aspromonte (2018) and Handel – Apollo e Dafne & Armida abbandonata (2021). Andrea Buccarella and Emmanuel Laporte both make their PENTATONE debut.

159 kr
Image #4 OCTOBER 2022
Del Cinque Sonatas for Two and Three Cellos 
Ludovico Minasi, Cristina Vidoni, Teodoro Baù vcs et al 

"Ermenegildo Del Cinque proved a joyous discovery for our esteemed critic – and for me too – thanks to this excellent advocacy." (Gramophone) 

During his long life, the priest, nobleman, poet, and painter from Rome, Ermenegildo del Cinque (1700–73) wrote over 100 sonatas for two cellos and eighteen pieces for three cellos. Although he was a dilettante di musica, he was the most prolific composer of cello music of all time. Yet despite the fact that he also composed cantatas, a serenata and some sacred music, and was a renowned cellist in Rome, he remains virtually unknown today, even among cellists. This recording, made in the theatre of the Palazzo Altemps in Rome where del Cinque often performed, rescues some of these extraordinarily beautiful compositions from oblivion. The architect of this rediscovery is Ludovico Minasi (principal cellist of Il Pomo d’Oro, among other ensembles), who here leads a team of exceptional bass instruments featuring two recent winners of the MA Brugge competition, Andrea Buccarella and Teodoro Baù, along with the lutenist Simone Vallerotonda (a musician with long-standing ties to Arcana) and the cellist Cristina Vidoni.

189 kr
Image #5 OCTOBER 2022
F & F Mendelssohn Chamber Works 
Kaleidoscope Chamber Collective 

"Another superb album from the Kaleidoscope Chamber Collective, with a real rarity, and steeped throughout in a highly engaging collaborative spirit." (Gramophone)

Fanny Mendelssohn Henshel, born four years before her brother Felix, was an accomplished pianist and a prolific composer. When she died of a stroke aged just 42, she left around 460 pieces of music, some 250 of which are songs. The difficulties of making a career in her own era (Her supportive father would not allow her to publish or work as a ‘professional’ composer) have condemned much of her work to obscurity: a situation that is now rapidly being reversed with more concerts and recordings of works by women composers. Here the award-winning Kaleidoscope Collective champion her Piano Trio and Piano Quartet, alongside Felix Mendelssohn’s under-performed Piano Sextet. Fanny composed her Piano Quartet whilst a student, aged 17. In contrast, the Piano Trio was her last chamber work, written in her final year. Felix Mendelssohn’s Piano Sextet was also an early work, written in just a few short weeks in the spring of 1824. For some reason he never published the work (perhaps because of the unusual scoring) hence it became his Op. 110 when published posthumously in 1868.

169 kr
Image #7 OCTOBER 2022
Senfl Choral Works 
Singer Pur; Ensemble Leones 

"Singer Pur offer us a vivid and characterful programme of works by Ludwig Senfl, drawing on the Swiss Renaissance composer’s sacred and secular music for a highly engaging album." (Gramophone)  

This compilation includes selected works by the noted Renaissance composer Ludwig Senfl, who was an important student of Heinrich Isaac. In 1523 Senfl joined the Munich court orchestra at the court of Maximilian I, where he worked until his death. Singer Pur will perform these pieces at their Singer Pur Tage festival, and at the 2023 Medieval and Renaissance Music Conference in Munich. Singer Pur is a German vocal sextet founded in 1991 by former members of the Regensburger Domspatzen. The five original members were joined by a soprano in 1994. The sextet is focused on classical music, but who have also performed and recorded traditional folk songs and pop music. Singer Pur have recorded more than 30 albums. Singer Pur have given concerts and workshops in nearly 60 countries all over the world.

129 kr
Image #8 OCTOBER 2022
Wolf Italienisches Liederbuch 
Carolyn Sampson sop Allan Clayton ten Joseph Middleton pf 

"Carolyn Sampson and Allan Clayton’s ability to embody and communicate characters is well matched here in Wolf by the equally poetic pianist Joseph Middleton." (Gramophone)

Composed in feverish bouts interrupted by long periods of inaction, Hugo Wolf’s Italienisches Liederbuch was brought to completion in 1896. The 46 songs are settings of poems in German by Paul Heyse, after Italian folk songs – miniatures with a duration of less than 2 minutes in most cases. Heyse’s collection numbered more than 350 poems, but Wolf ignored the ballads and laments, and concentrated almost exclusively on the rispetti. These are short love poems which chart, against a Tuscan landscape, the everyday jealousies, flirtations, joys and despairs of men and women in love. Heyse’s translations often intensify the simple Italian of the original poems, and in their turn, Wolf’s settings represent a further heightening of emotion. Miniatures they may be, but many of the songs strike unforgettably at the heart. When Wolf’s songbook is performed in its entirety, it is usually done by a male and a female singer, although this is not specified in the score. It is not uncommon for them to be transposed, but the songs are written for high voices, and are here performed by a soprano and a tenor – Carolyn Sampson and Alan Clayton – with Joseph Middleton at the piano. The performers have chosen to present the songs in the order they appear in the printed collection, dividing them between themselves.

169 kr
Image #10 OCTOBER 2022
Lampe The Dragon of Wantley 
Sols; The Brook Street Band / John Andrews 

"A delightful piece of 18th-century comic opera heritage, The Dragon of Wantley couldn’t ask for a better introduction to modern audiences than John Andrews’s lively performance." (Gramophone) 

Following the BBC Music Magazine Opera Award for his recording of Malcolm Arnold’s The Dancing Master, conductor John Andrews returns with the world premiere professional recording of John Frederick Lampe’s operatic comedy The Dragon of Wantley. With librettist Henry Carey, Lampe combines a first-rate score with a quintessentially English plot, told in a tone of earthy satire, pastiching opera’s conventions with skill and affection, but also a razor wit. A rapacious dragon has been terrorizing a Yorkshire Village. Gubbins and his daughter Margery, together with Mauxalinda decide to seek the help of Moore of Moore Hall. Moore needs persuading away from his beer but succumbs to Margery’s pleading, and her promises of love. Unfortunately, he had already promised to marry Mauxalinda and so the love triangle has to be resolved in dramatic fashion before Moore heads out and defeats the dragon, restoring harmony and prosperity to the village.

299 kr
Image DVD: OCTOBER 2022
Bruckner Symphony No 5, etc 
Vienna Philharmonic Orchestra / Christian Thielemann 

"Christian Thielemann, a deeply commitment Brucknerian, in splendid filmed performances with the Vienna PO." (Gramophone)  

On the occasion of the Bruckner bicentenary, the Wiener Philharmoniker recorded its first ever complete Bruckner cycle under the baton of Christian Thielemann. In addition to the well-known canon of nine symphonies, the two earliest Bruckner symphonies in F minor and D minor, which are a world premiere on DVD and Blu-ray, were also recorded for the first time in the orchestra's history. This uniquely complete edition from the Musikverein and Salzburg Festival, featuring 11 symphonies, also includes extensive conversations with Christian Thielemann about each symphony and insights into his rehearsal work. “Two symphonies that document Bruckner's path to mastery quite excellently. (…) Conclusion: The next interesting Bruckner milestone in the cycle.” (Kurier) / “Masterly, kapellmeisterlike, dreamlike.” (Der Standard) / Beautiful to weep for and artistically accomplished. [...] The interpretation of the Fifth may be considered a milestone. The way the musicians realized this work was simply grandiose." (Kurier)

349 kr
349 kr
Image #5 SEPTEMBER 2022
John-Henry Crawford vc Victor Santiago Asuncion pf 

"John-Henry Crawford’s love affair with Latin American music was sparked by winning First Prize in Mexico’s 2019 Carlos Prieto Competition, and this delightful release is the result." (Gramophone) 

John-Henry Crawford writes: "In the summer of 2019, I travelled to Mexico to compete in the IX International Carlos Prieto Cello Competition, and little did I know, the trip would transform my life musically. At the time I was very well acquainted with Latin American music, but after having the great fortune of winning first prize and returning to Mexico multiple times for performances, I fell in love with the music of Latin America, the culture, the history, and the Spanish language. This album takes the listener on a musical tour through Argentina, Brazil, Cuba and Mexico. The centerpiece of the program is the Sonata in G minor by Manuel Ponce, who is most famous in the classical world for his song Estrellita popularized by Jascha Heifetz. Ponce was keen to reunite the concert world with Mexican folklore and traditional songs, as listeners can hear in the romantic, longing title-track Por ti mi corazon. Spanning over 140 years of Latin American music culture, this album takes us from Ponce’s unique traditional voice and Villa-Lobos’ Chopinesque style to music by still-living Cuban guitarist Leo Brouwer – his innocent lullaby Cancion de Cuna. Other highlights include Astor Piazzolla’s timeless Oblivion and Le Grand Tango and Egberto Gismonti’s Agua e Vinho. As the title suggests, this music pulls at the heartstrings and exudes romance and passion."

159 kr
Image #6 SEPTEMBER 2022
Haydn Piano Sonatas, Vol 11 
Jean-Efflam Bavouzet pf 

"A brilliant series ends on a note worthy of all the previous volumes – Jean-Efflam Bavouzet’s desire to share his affection for Haydn’s music with us is infectious. A superb survey." (Gramophone)  

Jean-Efflam Bavouzet’s survey of Haydn’s piano sonatas reaches its conclusion with this 11th and final volume. As with the previous releases, the acclaimed pianist has included repertoire from different periods of Haydn’s career to create a recital of interest in its own right, as well as the completion of the series. Jean-Efflam notes ‘It has been eleven years since the launch of this project to present Haydn’s sonatas, not in their chronological order, but as collections juxtaposing works from different periods. The program for this final album was actually the first one to be devised: I wanted to place side by side the very first and the very last sonata. Then the idea of fleshing out the sonata cycle with other major pieces began at volume four, with the addition of the famous Variations in F minor, and finally this last volume is made up of as many sonatas as other types of works. The complete series is thus able to offer music lovers all the sonatas identified to date, together with the other major keyboard works.’

169 kr
Image #7 SEPTEMBER 2022
D Scarlatti Keyboard Sonatas 
Wolfram Schmitt-Leonardy pf (Piano Classics)

"‘A deeply fulfilling and beautifully engineered Scarlatti programme,’ writes Jed Distler of this album from Wolfram Schmitt-Leonardy. Do listen to it." (Gramophone) 

‘An eagle whose wings are grown,’ according to his father Alessandro, the young Scarlatti left his native Naples for Venice, ‘escorted only by his own ability.’ By his early 20s he had already held audiences in thrall with an ability at the harpsichord which was deemed almost supernatural. There is assuredly the most prodigal imagination at work, as well as an extraordinarily sophisticated keyboard technique, in the 555 surviving keyboard sonatas which fuse Italianate cantabile and counterpoint with vivid Hispanic imagery: folksong, castanets, military trumpets and strumming guitars. All these qualities can be enjoyed in Wolfram Schmitt-Leonardy’s selection of 17 sonatas. Several of them are taken from the collection of Kk1-30 (in the catalogue produced by Ralph Kirkpatrick) which comes down to us as the earliest source of the sonatas in print, published shortly before he moved to Lisbon, thence to Madrid and around the royal courts of Spain, in the service of the princess who would become the Queen of Spain. Her patronage afforded Scarlatti the time and resources to evolve a highly personal style, full of eccentricity and flights of fancy. Hardly less than Bach, these sonatas have become for many pianists a proving ground for their own technique and imagination, rewarding an improvisatory response to their flamboyant effects. However, Schmitt-Leonardy also features several of the composer’s most poetic and reflective sonatas such as the ‘Aria’ Kk 29 and the melancholy soliloquy of Kk 208.

159 kr
Image #8 SEPTEMBER 2022
Blackford Mirror of Perfection 
Britten Sinfonia / David Hill (Lyrita)

"Two works by Richard Blackford – one a second recording, and wonderfully done at that, the second a response to Covid – earn admiration from our critic Guy Rickards." (Gramophone)  

“The words, with the exception of the Canticle of The Creatures, are settings of almost unknown poems by St Francis of Assisi. They cover a wide expressive and emotional range: from hope to despair, longing to acceptance, love to bitterness, delight in Creation to an impassioned plea for peace amongst mankind. The cantata is no pious word-setting of an ancient saint – rather it is a passionate and vibrant evocation of a man who remains a symbol of hope for millions of all faiths and none. Vison of a Garden - In 2020 I spent nearly five months in hospital with Covid-19, and was in an intensive care unit for more than half that time. In October, when I went back to the hospital for a check-up, I was given two booklets called ‘ICU Diaries’ which contained messages of support written by the nurses who looked after me in intensive care. I find it astonishing that these people whom I never knew could write such warm and personal messages. The text that the choir sings in ‘Vision of a Garden’ is taken from their words. I have plentiful memories from my time in intensive care, but they are almost all false ones: things which my mind invented to keep itself occupied while my body was otherwise engaged in fighting the virus… In the center of the Addenbrooke’s Hospital complex in Cambridge there is a little garden, which is a lovely oasis of peace amid the hospital bustle. As I now know, I was taken to this garden from the ICU a couple of times in May, to get the benefit of the fresh air and sunshine. I wasn’t consciously aware of this, but my subconscious transplanted the garden to Cape Town and incorporated it into my ‘South African dream’… (Peter Johnstone)

159 kr
Image #9 SEPTEMBER 2022
Massenet ‘Songs with Orchestra’ 
Sols; Paris Chamber Orchestra / Hervé Niquet (Bru Zane)

"A stylishly performed recital of 25 of Massenet’s songs, only four previously recorded, by a vocal line-up and conductor truly alive to the composer’s sound world." (Gramophone) 

Massenet was not only the composer of Manon and Werther. In the shadow of his stage works slumber many mélodies decked out in subtle and delicate orchestrations, which we are delighted to revive here. These previously unrecorded works have been entrusted to a team of first-rate artists, most of them fervent champions of French poetry and its musical settings. The purpose of the Palazzetto Bru Zane – Centre de musique romantique françaiseis to favor the rediscovery of the French musical heritage of the years 1780-1920 and obtain international recognition for that repertory. Housed in Venice in a palazzo dating from 1695 specially restored for the purpose, the Palazzetto Bru Zane – Centre de musique romantique française is a creation of the Fondation Bru. Combining artistic ambition with high scientific standards, the Centre reflects the humanist spirit that guides the actions of that foundation.

189 kr
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