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MUSIK FÖR PÅSKEN (Naxos)

KLASSISK KOMPASS


MUSIC OF THE PASSION OF CHRIST - EASTER WITH NAXOS

Culminating in Easter Day and the resurrection of Jesus from the dead, the Christian festival of Holy Week tells one of the most powerfully dramatic stories of all time.

The events of that narrative have been marked in artistic triumphs over the centuries, not least in music which has a treasure trove of works devoted to the sequence of the action. Just as the Easter story moves from darkness to light, so the works describing it represent the full spectrum of genres and resources.

In this catalogue, you’ll find masterpieces representative of all musical styles: from Bach’s Passion settings to the Requiems of Mozart, Dvorák and Verdi, plus the more contemporary utterances of works such as Penderecki’s St Luke Passion and Thierry Lancino’s Requiem. Other notable recordings include Randall Thompson’s Requiem, the original version of Rossini’s Stabat Mater, Maximilian Steinberg’s long-lost choral masterpiece Passion Week, and Handel’s popular oratorio Messiah.

The catalogue comprises choral works intended both for the church and the concert hall, while not forgetting purely instrumental music, such as Olivier Messiaen’s L’Ascension, Sofia Gubaidulina’s Sieben Worte, and brass septet arrangements of works by Gabrieli, Lassus, Palestrina and Victoria.

If you’re unsure where to start, why not try one of the sets of collections that bring together gems from across the centuries, from the 15th-century Eton Choirbook to works by 20th-century composers such as Poulenc, Ireland and Vaughan Williams.

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Image NEW: St Matthew Passion (Matthäus-Passion)
Until now Naxos has only released excerpts of Bach’s St Matthew Passion. This complete version follows on from the success of Ralf Otto’s recordings of the St John Passion (8.573817-18) and the Christmas Oratorio (8.574001-02), which have both been widely acclaimed. This release features a cast of renowned soloists.


239 kr
Image NEW: Armenian Requiem
Composed to mark the centenary of the genocide of 1915 (a deeply contentious political subject), the Armenian Requiem is a large-scale sacred work structured around traditional liturgical chants appended to the Armenian Mass, and includes poems as interludes. Krouse is known widely as one of the foremost composers of guitar music working today – see 8.553449. This release showcases his talents writing for larger ensembles. He has received praise from Gramophone and his pieces have been recorded on a wide variety of labels.


159 kr
Image NEW: Requiem
Completed in the wake of the 9/11 attacks, Pulitzer Prize-winner and MacArthur fellow John Harbison has composed a Requiem for our times — a moving choral work that incorporates the composer’s distinctive sensibilities while drawing deeply on the tradition of Latin sacred music. “I wanted my piece to have a sense of the inexorability of the passage of time,” the composer says, “for good and ill, of the commonality of love and loss.”

89 kr
Image NEW: Messiah
Of all English oratorios Handel’s Messiah has always been the most overwhelmingly popular. It is the least theatrical and the most purely sacred in its choice of subject matter. The vivid choral writing – there are more choruses in Messiah than in any other Handel oratorio – coupled with the expressive density of the solo arias, have ensured its status as one of the greatest choral masterpieces in the Western canon.

159 kr
Image Little Organ Book Vol 2: BWV 539, 562 & 618-644
79 kr
Image Favourite Arias and Choruses
"...a decent introduction to the master's great choral masterpieces."
(American Record Guide)



69 kr
Image St. John Passion
GRAMOPHONE EDITOR'S CHOICE



Joe Littlewood, treble; James Bowman, countertenor;

Matthew Beale, tenor;
James Gilchrist, tenor;
Colin Baldy, bass;

John Bernays, bass;
Eamonn Dougan, bass

Collegium Novum; The Choir of New College Oxford/
Edward Higginbottom.

Choir of New College Oxford, under ledning av Edward Higginbottom, räknas som en av världens bästa körer. De använder sig av gossopraner istället för kvinnliga sopraner, som på Bachs tid, vilket skapar en mycket skir och homogen klang.


Som solister finner vi bl a den legendariske countertenoren James Bowman och tenoren James Gilchrist, som båda tidigare varit medlemmar i Choir of New College Oxford. Sopranariorna framförs, på tidstroget maner, av en gossopran.



129 kr
Image St. John Passion, BWV 245 (1749 Version)
Johann Sebastian Bach’s St John Passion is, along with the St Matthew Passion, without doubt one of the most important works he ever composed. It established a new tradition for Good Friday vespers in Leipzig, and with sublime skill Bach managed to retain a spirit of church worship while creating an almost operatic narrative that movingly depicts Christ’s trial, death, and ultimate apotheosis. Bach’s numerous revisions always demand a certain amount of scholarly decision-making, and this recording of the St John Passion uses the final 1749 version that not only draws on and reinforces the best of Bach’s original concept, but incorporates the additional movements of the 1725 version.

159 kr
Image St. Matthew Passion (3 CD)
Bland J S Bachs alla fina sakrala verk är hans "Matteuspassion" kronjuvelen. Detta verk skildrar på ett dramatiskt och gripande sätt bl a när Jesus blir korsfäst. Här medverkar flera toppsolister som till exempel tenoren Markus Schäfer och bassångaren Hanno Müller-Brachmann.



Claudia Couwenbergh, soprano;
Dominique Engler, soprano;

Yosemeh Adjei, alto;
Marianne Beate Kielland, alto;

Lothar Blum, tenor;
Nico van der Meel, tenor;

Markus Schäfer, tenor;
Raimund Nolte, bassbaritone;

Locky Chung, bass;
Hanno Müller-Brachmann, bass;

Julian Schulzki, bass

Cologne Cathedral Boys’ Choir; Dresden Chamber Choir;
Cologne Chamber Orchestra/Helmut Müller-Brühl.

239 kr
Image St. Matthew Passion, highlights
...A refreshingly lithe and young sounding Evangelist, Jósef Mukk, leads a team of Hungarian soloists with fresh clear voices...

(Penguin Guide)


Ibolya Verebits, soprano; Judit Nemeth, alto;

Jozsef Mukk, tenor;
Istvan Gati, bass; Peter Koves, bass

Hungarian Festival Chorus; Hungarian Radio Children's Choir;

Hungarian State Symphony Orchestra/Geza Oberfrank




69 kr
Image Requiem (2 CD)
159 kr
Image Passion of Mary, The / Four Songs of the Nativity
Howard Blake is a popular and prolific composer whose output includes film scores (not least the extraordinarily successful The Snowman), choral, orchestral and instrumental works, ballets and opera. This disc presents the world première recordings of Four Songs of the Nativity, commissioned by The Book Club for The Bach Choir and London Brass, and Blake's second dramatic oratorio, The Passion of Mary, commissioned by The Summer Music Society of Dorset in association with South West Arts. 'The Passion of Mary draws together the Stabat Mater, the Magnificat, the Salve Regina and other Marian and Nativity texts with the wisdom of a Berlioz. The outcome is a splendid, highly accessible choral work.' Roderick Dunnett (reviewing the London première for Church Times)




79 kr
Image Messa da Requiem
London Philharmonic Orchestra
Thomas Martin, conductor

Renowned worldwide in his lifetime and remembered today as a double bass virtuoso, Giovanni Bottesini excelled in every branch of musicianship, but his operas and sacred works were overshadowed by those of Verdi and have fallen into neglect. Composed in response to the death of his brother Luigi, Bottesini's large scale Requiem combines ecclesiastical counterpoint with formal innovation and the expressive lyricism and dramatic orchestration of operatic models.



79 kr
Image A German Requiem
Anna Lucia Richter, soprano • Stephan Genz, baritone
MDR Leipzig Radio Choir and Symphony Orchestra
Marin Alsop

Brahms's A German Requiem, almost certainly triggered by the death of his mother in 1865, is one of his greatest and most popular works, quite unlike any previous Requiem. With texts taken from Luther's translation of the Bible and an emphasis on comforting the living for their loss and on hope of the Resurrection, the work is deeply rooted in the tradition of Bach and Schu¨tz, but is vastly different in character from the Latin Requiem of Catholic tradition with its evocation of the Day of Judgement and prayers for mercy on the souls of the dead.



89 kr
Image Ein Deutsches Requiem
The longest work in Brahms's entire oeuvre, A German Requiem was almost certainly triggered by the death of his mother, although it also seems likely that the tragic loss of his friend Robert Schumann, some years earlier, added to its depth and eloquence. Taking inspiration from Bach's contrapuntal genius but avoiding overt religious tradition, Brahms chose the texts himself, placing an emphasis on an affirmation of life with the suggestion that he would gladly have substituted 'human' for 'German' in the title. This release joins Antoni Wit's 'richly satisfying' (Gramophone) recording of Brahms Choral Music [8.572694].



79 kr
Image Ein Deutsches Requiem (Blu-Ray)
The longest work in Brahms's entire oeuvre, A German Requiem was almost certainly triggered by the death of his mother, although it also seems likely that the tragic loss of his friend Robert Schumann, some years earlier, added to its depth and eloquence. Taking inspiration from Bach's contrapuntal genius but avoiding overt religious tradition, Brahms chose the texts himself, placing an emphasis on an affirmation of life with the suggestion that he would gladly have substituted 'human' for 'German' in the title.



159 kr
Image A German Requiem
"...certainly worth considering"
(CD Review)



69 kr
Image Membra Jesu Nostri
79 kr
Image Missa Dolorosa / Stabat Mater
79 kr
Image Eight Motets
Giacomo Carissimi was one of the most admired of seventeenth-century Italian composers. The maestro from Marino, near Rome, acquired a Europe-wide fame at an early age and excelled in church music. Commonly employing texts that modify or amplify passages from the scriptures, rather than taking those texts verbatim, Carissimi employed all his genius for vocal melodic lines and accompanying instrumentation to fashion a sequence of spellbinding masterpieces. Foremost among these is Usquequo peccatores which, through its size and length, blurs the very distinction between motet and oratorio. This is the fourth Naxos release of music by Carissimi from this ensemble.

89 kr
Image Le Miroir de Jésus
159 kr
Image Evangelion (The Story of Jesus)
Alessandro Marangoni, Piano

Mario Castelnuovo-Tedesco was Jewish by culture but regularly composed on Biblical themes. A meditation on stories from the New Testament in music of tender simplicity, moving lyricism and potent drama, the epic but rarely-heard Evangélion starts with The Annunciation and concludes with The Last Words and The Resurrection. Composed in 1947 soon after the death of the composer's father, the work was possibly conceived after a visit to the Acolman Convent in Mexico. This is its first complete recording. Alessandro Marangoni can also be heard in Castelnuovo-Tedesco's two Piano Concertos [8.572823], described as a "delectable treat" by Gramophone.



89 kr
Image Requiem
79 kr
Image Lieder (Complete), Vol. 4 (Landshamer, M. Schafer,
Alongside his creativity as a 'Poet-Musician', Peter Cornelius was a devout Christian who wrote church music throughout his life. His groundbreaking sacred songs include strokes of genius such as the Vater unser or Lord's Prayer cycle, which adapts plainsong chant into a deeply personal musical language. The Marienlieder mix sacred and erotic vocabulary, combining the lyrical inwardness and more passionate tones also reflected in the Ave Maria. Unusual for their numerous revisions, the Weihnachtslieder are successful contributions to the Christmas music of Cornelius's time. This is the last of a four-volume edition of Peter Cornelius's complete songs.



89 kr
Image Requiem
Capella Istropolitana
Kirk Trevor, conductor

Domenico Cimarosa's abilities as an operatic composer are evident in his large-scale Requiem in which the soloists and chorus range from the mournful supplication of the opening movements, through vivid evocations of the 'day of wrath' and the praises uttered by the heavenly hosts in the Sanctus, to the prayers for mercy, peace and eternal light which conclude the work. Composed to commemorate the death in 1787 of the wife of the French ambassador in St Petersburg, its overall character is one of classical restraint.




89 kr
Image Sacred Choral & Organ Works Vol 1: Requiem
79 kr
Image Works for Organ Vol 11
79 kr
Image Requiem
Christiane Libor, Soprano • Ewa Wolak, Alto
Daniel Kirch, Tenor • Janusz Monarcha, Bass
Warsaw Philharmonic Orchestra and Choir
Antoni Wit

Antonín Dvorák's huge popularity in England was built largely on the success of his Stabat Mater, which he had conducted there in 1884 and 1885. It was well suited to the country's choral traditions and led eventually to a commission for a Requiem, which was premièred in Birmingham in 1891. Written in ten months during tours to Russia, England and Germany, its success was immediate. Sitting closer to the tradition of Cherubini than Verdi, its tone is compassionate and reflective, devoid of unnecessary drama, and movingly crafted with great sophistication.



158 kr
Image Stabat Mater (2 CD)
149 kr
Image The Doors of Heaven
Latvian Eriks Ešenvalds is one of the world’s most performed choral composers. This album is the first of his music to be recorded by an American choir.

89 kr
Image Passio Jesu Christi
Bach's predecessor at the Leipzig Thomasschule, and a prolific composer with a contemporary reputation throughout Germany, Johann Friedrich Fasch composed works for the Lutheran church service as well as secular instrumental works, including overtures (suites), symphonies, partitas and a large amount of varied chamber music. His Passio Jesu Christi is a setting of the so-called Brockes Passion, known for its overt sentimentality and theatricality, which was also set by Handel and by Telemann, among others.





79 kr
Image Requiem
...Faure's Cantique de Jean Racine makes a perfect conclusion to this lovely programme...

(Gramophone)



...The fresh, forward choral tone goes with an unmannered interpretation from Jeremy Summerly, with soloists comparably fresh toned...

(Penguin Guide)



...Summerly's scholarly and excellently performed programme...is very attractive...

(BBC Music Magazine)

Gabriel Faurés vackra "Requiem" tillhör en av de mest populära inom denna genre. I den kända fjärdesatsen – Pie Jesu – kan vi här höra sopranen Lisa Beckley i ett ypperligt framförande.




69 kr
Image Symphony No. 4 (Easter Eve) / Festive Overture
Den tjeckiske kompositören Josef Bohuslav Foersters (1859–1951) fjärde symfoni, som här ingår, anses vara hans mästerverk. Man kan i detta verk höra influenser från bl a Bruckner och Mahler.

Slovak Radio Symphony Orchestra/Lance Friedel.



JOSEF BOHUSLAV FOERSTER

1. Festuvertyr Op 70

2. Me mladi Op 44



Symfoni nr 4 c-moll Op 54 "Velika noc"

3. I. Molto sostenuto

4. II. Allegro deciso

5. III. Andante sostenuto

6. IV. Lento lugubre – Allegro moderato


79 kr
Image NYHET 2016: Adae / Filli Prodigi
Consortium Carissimi / Garrick Comeaux

The small-scale motet was at the heart of daily and weekly musical practice in the Roman Catholic Church of the mid-seventeenth century. One of the genre's most distinguished exponents was the maestro di cappella in the Jesuit Church in Rome, Bonifazio Graziani. An ordained priest, he was commissioned by Pope Innocent X to compose solemn music for the 'most holy year' of 1650, and his works were in demand across Europe. His elegant mixture of text, melody, and harmonic accompaniment is highly distinctive, with the two oratorios revealing the extent of his compositional breadth.



89 kr
Image Seven Words / Silenzio / In Croce
89 kr
Image Messiah
HÖGSTA BETYG I SVENSKA DAGBLADET

BETYG: *****
LJUDKVALITET: *****

(Opus)

"Superba gossröster snitslar sig genom sopranariorna såväl som genom körstämmorna - matchade av Toby Spence genomlysta countertenor i altariorna, vår tids svar på stjärnkastraten Guadagnini. Spritsigt elastiska tempi, studsande jubelkörer kontras av recitativ mättade med spänningsrik eftertanke. Exotiskt också att höra en tenor i Rejoice greatly."
"...Higginbottoms lättfotade Messias gör helt enkelt lyssnaren helfrälst..."
(Svenska Dagbladet)

"En strålande inspelning med fina solister"
(Opus)

Choir of New College Oxford och Edward Higginbottom inspelning av Bachs "Johannespassion" (8.557296) utsågs till GRAMOPHONE EDITOR'S CHOICE. På denna CD tolkar de ännu ett sakralt mästerverk från barocken - Händels "Messias". I denna rekonstruktion av en version från 1751 sjunger en gossopran sopranariorna precis som på Händels tid.

Henry Jenkinson, gossopran

Otta Jones, gossopran

Robert Brooks, gossopran

Iestyn Davies, countertenor

Toby Spence, tenor

Eamonn Dougan, bas

Academy of Ancient Music; Choir of New College Oxford/
Edward Higginbottom




129 kr
Image Requiem
Commissioned to commemorate the centenary of the outbreak of the First World War, Hamilton’s powerful and moving Requiem conjures up a vivid sequence of images depicting both the horror of war and the calmness and eeriness of the aftermath of battle, interspersed with moments of sombre and contemplative reflection.

89 kr
Image Messiah
"There is plenty of fresh air about this Messiah, and I welcome it to the catalogue"
(Gramophone)

"Probably the least expensive recording of the work...but it clearly competes with the best".
(Fanfare)

"...goda solister i denna fräscha, musikantiska inspelning av kammarmusikkaraktär"
(Opus)


Scholars Baroque Ensemble.



149 kr
Image Revelation
Patrick Hawes has emerged in recent years as one of Englands most popular and inspirational choral composers. The nine pieces that form Revelation are the result of my deep love of the Book of Revelation and its powerful imagery. Where else do you get thunder, lightning and demons as well as a gentle lamb? Another of my favourite New Testament texts is the Beatitudes from St Matthews Gospel these are, quite simply, some of Christs most comforting and beautiful words. Quanta Qualia had such a profound impact on the audience at the 2015 Elora Festival that the choir insisted on its inclusion in this recording. The Elora Singers have provided us with some of the most successful choral releases of recent years, and this program of première recordings of music by Patrick Hawes follows on from a GRAMMY® nominated album of music by Eric Whitacre (8.559677) described by Gramophone as a stimulating and superb discand an absolute must have, a recording of Arvo Pärts choral music (8.570239) draped in luminous colors and arresting timbresa truly enjoyable hour of music (ClassicsToday.com) and Poulencs Mass in G minor (8.572978) in a performance that is finely tailored and buoyantly expressive (Gramophone).

89 kr
Image Messias, highlights
Kritikerrosad version av Händels Messias!
10 i Répertoire och 5 stjärnor i Classic CD.

Innehåller bl a den kända Hallelujakören.




79 kr
Image Stabat Mater
Together with the Missa Cellensis, the Stabat Mater (1767) was one of the first sacred works that Haydn composed in his new position as Kapellmeister of the Esterházy court. The Virgin Mary's vast range of emotions during the Crucifixion are reflected in Haydn's music through various musical techniques, including word-painting and even subtle elements of characterisation. Performed in Vienna in 1768, the Stabat Mater became Haydn's most popular sacred work and was circulated widely in his lifetime.




79 kr
Image Mass No. 3 (Cäcilienmesse) / Missa Cellensis
Hoyt, Ann, soprano
Liston, Julie, soprano
Brackett, Luthien, alto
Sollek, Kirsten, alto
Hughes, Matthew, tenor
Sands, Stephen, tenor
Johnson, Bert K., bass
Lippold, Richard, bass
Trinity Church Choir, New York
REBEL Baroque Orchestra
Burdick, Owen, Conductor

The Missa Cellensis (or Cäcilienmesse) was Haydn's first Mass setting for his new employers at Eszterháza. In common with his Stabat Mater (8.572121), Haydn draws upon the wealth of musical styles and traditions associated with the Viennese Mass. Scored for strings, oboes, bassoon, trumpets, timpani and organ, plus soloists and choir, the work may originally have comprised the Kyrie and Gloria alone, with the other sections added in the mid-1770s. The final version, heard here, triumphantly concludes at 'Dona nobis pacem' with a grand fugue.





79 kr
Image Symphonies Nos. 26, 35 & 49
79 kr
Image Seven Last Words of Jesus Christ, The / String Qua
...The Kodaly Quartet give an outstanding performance, strongly characterized and beautifully played, with subtle contrasts of expressive tension between the seven inner slow movements...

...The recording is first rate...

(Gramophone)

Kodaly Quartet.



Franz Joseph Haydn

Jesu sju sista ord på korset Op 51 Hob III:50-56
(arrangemeng för stråkkvartett)

1. L'Introduzione: Maestoso ed adagio

2. Sonata I: Pater, dimitte illis, non enim sciunt, quid faciunt (Largo)

3. Sonata II: Amen dico tibi: hodie mecum eris in paradiso
(Grave e cantabile)

4. Sonata III: Mulier, ecce fulius tuus, et tu, ecce mater tua! (Grave)

5. Sonata IV: Eli, Eli, lama asabthani? (Largo)

6. Sonata V: Sitio (Adagio)

7. Sonata VI: Consummatum est! (Lento)

8. Sonata VII: Pater! in manus tuas commendo spiritum meum (Largo)

9. Il terremoto (Presto e con tutta la forza)



Stråkkvartett nr 68 d-moll Op 103 Hob III:83

10. Andante grazioso

11. Menuetto ma non troppo presto





79 kr
Image Seven Last Words
Jeno Jandó, Piano

The request for Haydn to write The Seven Last Words came from a priest in Cádiz to mark Good Friday. Setting the words of Christ gave Haydn the basis for the construction of seven slow and meditative movements to be played by the orchestra as the Bishop descended from the pulpit to pray. The following year Haydn arranged the work for string quartet and a version for keyboard was prepared. To this version, which he did not prepare himself, Haydn gave his wholehearted approval noting that it was 'very good and made with particular care'.



79 kr
Image Requiem and other Choral Works
79 kr
Image Stabat Mater
79 kr
Image Requiem
Vasari Singers
Jeremy Backhouse, conductor

While the unifying thread which links these works is that of loss, the underlying focus is an uplifting celebration of life and love. Gabriel Jackson's Requiem combines traditional solemnity with poems which embrace wide-ranging spirituality, resulting in images of light and radiant optimism. Contrasting poignancy of expression is heard in personal tributes from John Tavener and Francis Pott, while Bob Chilcott uses Pachelbel's famous Canon to set Oscar Wilde's Requiescat. Vasari Singers' Great British Anthems (8.572504) was described as 'essential listening' by Gramophone.



79 kr
Image Symphony Op 7 (Rebirth) / Bianca da Molena
Warsaw Philharmonic Orchestra
Antoni Wit, conductor

Best known today for his sumptuously Romantic symphonic poems (8.570452, 8.570295), Mieczyslaw Karlowicz completed his most ambitious work, the 'Rebirth' Symphony, in 1903. Like Mahler's 'Resurrection' Symphony which was premièred the following year (8.550523-24), it evokes the soul's spiritual struggle against fate from tragedy to triumph. The resplendent Prologue from Karlowicz's music for the play The White Dove leads to a serene Intermezzo. Polish conductor Antoni Wit brings out the brooding, portentous and lyrical characteristics of his compatriot's richly orchestrated yet seldom-heard scores.





89 kr
Image Requiem
Heidi Grant Murphy, soprano
Nora Gubisch, mezzo-soprano
Stuart Skelton, tenor
Nicolas Courjal, bass

Radio France Choir
Radio France Philharmonic Orchestra
Eliahu Inbal, conductor

Thierry Lancino's vast Requiem is a challenging and eloquent contemplation on human mortality which the composer describes as 'both an epic fresco and sacred ceremony'. In a paradox which brings the Christian into dialogue with the Pagan, Lancino presents an exploration of Death and Time which is both human and relevant, as well as posing eternal and unanswerable questions. This recording captures a unique and moving event, performed by a stellar cast of artists and France's leading choir and orchestra.

Sound format: PCM Stereo / DTS-HD Master Audio 5.1



159 kr
Image Requiem
Heidi Grant Murphy, soprano
Nora Gubisch, mezzo-soprano
Stuart Skelton, tenor
Nicolas Courjal, bass

Radio France Choir
Radio France Philharmonic Orchestra
Eliahu Inbal, conductor

Thierry Lancino's vast Requiem is a challenging and eloquent contemplation on human mortality which the composer describes as 'both an epic fresco and sacred ceremony'. In a paradox which brings the Christian into dialogue with the Pagan, Lancino presents an exploration of Death and Time which is both human and relevant, as well as posing eternal and unanswerable questions. This recording captures a unique and moving event, performed by a stellar cast of artists and France's leading choir and orchestra.







89 kr
Image Lagrime de San Pietro (Spiritual Madrigals)
...Naxos's stable of early music performers acquires a distinguished new member...

(Gramophone)





...a first-class Danish choir...offers singing of great sensitivity and a wide range of dynamics...


...Bo Holton shapes the performance to move onwards with gathering intensity towards its climax...


(Penguin Guide)






Ars Nova / Bo Holten.



Orlande de Lassus

Lagrime di San Pietro (Petri tårar)

1. Il Magnanimo Pietro

2. Ma gli archi

3. Tre volte haveva a l'importuna e audace

4. Qual' a l'incontro di quegli occhi santi

5. Giovane donna il suo bel volto in specchio

6. Cosi tal'hor

7. Ogni occhio del Signor lingua veloce

8. Nessun fedel trovai, nessun cortese

9. Chi ad una ad una raccontar potesse

10. Come falda di neve

11. E non fu il pianto suo rivo o Torrente

12. Quel volto

13. Veduto il miser quanto differente

14. E vago d'incontrar chi giusta pena

15. Vattene vitav va

16. O vita troppo rea

17. A quanti gia felici in giovinezza

18. Non trovava mia fe se duro intoppo

19. Queste opre e piu

20. Negando il mio Signor

21. Vide homo



89 kr
Image Missa de Gloria
Greg Morris, organ

Kenneth Leighton was one of Britain's most important 20th-century composers, best known for his organ, choral and orchestral works. His style is a distinctive mix of melodic lyricism, masterly counterpoint and dynamic rhythmic energy. Et Resurrexit builds into a cataclysmic climax, symbolizing the soul's struggle for belief in Christ's resurrection, while his Hymn Fantasies abound in fascinating polyphony. Missa de Gloria 'Dublin Festival Mass', based on an ancient plainchant from the Sarum rite for Easter Sunday, uses the full resources and colours of the solo organ to express the drama and mystery of the Catholic liturgy. Greg Morris, Associate Organist at London's Temple Church, performs widely throughout the United Kingdom and Europe.



79 kr
Image St Matthew Passion
Orlandus Lassus was one of the greatest and most celebrated musicians of his day, and a teacher whose influence extended into the Baroque period and beyond. Although the St Matthew Passion is almost always associated with J.S. Bach’s towering masterpiece, earlier settings developed from plainchant into polyphony throughout the 16th century. Lassus composed four Passions of which this is the most elaborate. His sublimely interwoven polyphonic settings are here placed alongside a traditional Roman Catholic Passion chant through which the roles of Jesus and the Evangelist unfold in a seemingly timeless meditation. Certain key moments in the otherwise austere Passion story are further illuminated in this recording by the inclusion of motets and a spiritual madrigal.

89 kr
Image Sacred Choral Music
GRAMOPHONE EDITOR'S CHOICE

"...Another in Naxos’s superb series of sacred choral music from St John’s College, Cambridge under their outgoing music director Christopher Robinson. Kenneth Leighton’s musical language is at once technically complex but also comfortable with tapping into a vein of Romanticism that underlies much British liturgical writing. His early experience as a chorister at Wakefield Cathedral clearly set him in good stead for writing a stream of glorious choral music..."
(Gramophone)

Benjamin Durrant, gossopran; James Oxley, tenor;

Gareth Jones, baryton.

Crispian Steele-Perkins, trumpet; Christopher Whitton, orgel.

St. John's College Choir, Cambridge / Christopher Robinson.



Kenneth Leighton - Sakral körmusik



Kenneth Leighton

Magnificat och Nunc Dimittis "Collegium Magdalene Oxoniense"

1. Magnificat

2. Nunc Dimittis



3. Give me the wings of faith



An Easter Sequence

4. Introit

5. Gradual

6. Offertory

7. Communion

8. Sortie



Veni creator spiritus

9. Veni creator spiritus



What love is this of thine?

10. What love is this of thine?



Crucifixus pro nobis Op 38

11. Christ in the Cradle

12. Christ in the Garden

13. Christ in his Passion

14. Hymn




15. Koralpreludium över When I survey the wondrous Cross



Magnificat and Nunc Dimittis Op 62

16. Magnificat

17. Nunc Dimittis


79 kr
Image Sacred Choral Music (Via Crucis / Ave Maria / Pate
79 kr
Image Passion Oratorio (2 CD)
Den tyske kompositören Carl Loewe (1796-1869) är idag mest ihågkommen för sina sånger, men han skrev även bl a operor, oratorier, två symfonier och en del kammarmusik. Under mitten av 1800-talet var det populärt med s k passionoratorier i Tyskland. De bestod av bibliska texter med recitativ, koraler etc och var i mångt och mycket i J S Bachs tradition. 1829 uppfördes Bachs "Matteuspassion" av en ung Felix Mendelssohn. Detta skapade ett enormt intresse för äldre sakral musik och påverkade t ex tonsättare såsom Carl Loewe.



Nathalie Gaudefroy, sopran

Christianne Stotjin, alt

Jacky da Cunha, tenor

Henk Neven, bas

Edwin Crossley-Mercer, bas

Ensemble Instrumental des Heures Romantiques;
Ensemble Vocal des Heures Romantiques/Udo Reinemann



CARL LOEWE

Das Suhnopfer des neuen Bundes "Passionsoratorium"


158 kr
Image Seven Last Words from the Cross
GRAMOPHONE EDITOR'S CHOICE

'In recent years it has been an enormous thrill hearing my music being performed by The Dmitri Ensemble. This excellent, young ensemble brings a breath of fresh air to music making in this country, and are fortunate to have in their director Graham Ross one of the most exciting new musicians to appear on the radar. I am honoured and thrilled that they are choosing to mark my 50th birthday with this disc on Naxos, bringing together a number of different choral works from 1993 to 2005.'
(James MacMillan)




79 kr
Image Symphony No. 2 (Resurrection) (2 CD)
159 kr
Image NYHET 2016: Symphony No. 2 (Arr. for piano four ha
Maasa Nakazawa, piano
Suhrud Athavale, piano

World-renowned conductor Bruno Walter was particularly well acquainted with Gustav Mahler's work, and was employed as his assistant at the Hamburg Opera at the time Mahler's Second Symphony was given its première in Berlin. Walter prepared his precise and imaginative "reduction for piano" soon afterwards and in close collaboration with the composer. Bruno Walter regarded the 'Resurrection' Symphony as one of his mentor's key works, from the "dramatic struggles" of the first movement to the "lightning bolt" that inspired its sublime choral finale.



89 kr
Image NYHET 2016: Gran messa di requiem in G Minor
Thornhill, Siri Karoline, soprano
Ruckgaber, Katharina, soprano
Holzhauser, Theresa, alto
Thoma, Brigitte, alto
Schafer, Markus, tenor
Sellier, Robert, tenor
Berner, Martin, bass
Mittelhammer, Ludwig, bass
Mischok, Virgil, bass

Simon Mayr Choir, Simon Mayr Ensemble / Franz Hauk

Admired for his fusion of German and Italianate musical elements, Johann Simon Mayr is increasingly recognised as one of the most intriguing and influential composers of his time. His Requiem in G minor is shrouded in compositional obscurity but it is clear that the published version is surpassed both in scale and instrumentation by the elaborate edition performed here, which has been assembled from the autograph manuscripts. Small sections were composed by Donizetti and then corrected by his teacher, Mayr. Church style and more Romanticised elements are finely balanced in this important example of Mayr's compositional language.




159 kr
Image Miserere
Mayr had already earned esteem in Venice for his church music when, in 1802, he assumed the post of maestro di cappella at the basilica of Santa Maria Maggiore in Bergamo. With a modest orchestra at his disposal he soon composed a Miserere in G minor, in which solo orchestral instruments often carry on a dialogue with the vocal soloists in a succession of powerful, descriptive and beautiful arias and choruses. The Litaniae Lauretanae, cast in three parts, features wide leaping figures and sighing melodies. Conductor Franz Hauk has been responsible for re-establishing the music of Johann Simon Mayr, one of the most significant operatic and vocal composers resident in Italy before the rise of Rossini.

89 kr
Image Stabat Mater in F minor
"Restored by Mayr expert Frans Hauk from two extant manuscript versions and heard here in its world premiere recording, Simon Mayr’s Stabat mater in F minor was singled out by a contemporary biographer 'for its marvellous effect' and 'heavenly beauty. Mayr himself frequently returned to this work, recycling one of its movements in his great Requiem [8.573419-20]. "

89 kr
Image NYHET 2016: L'Ascension
Tom Winpenny, organ

Olivier Messiaen's early organ works helped establish him as a towering figure of 20th century music. L'Ascension is the most significant of these, with its solemn majesty, dazzling colours and near-static serenity and timelessness. These qualities were already present in Le Banquet céleste, Messiaen's first published organ work, and in Apparition de l'Église éternelle - a powerful representation of the eternal church emerging and fading from view. The two works discovered posthumously in 1997, Prélude and Offrande au Saint-Sacrement, show the influence of Dupré and Tournemire. Tom Winpenny's acclaimed recording of Messiaen's La Nativité du Seigneur can be heard on Naxos 8.573332.



79 kr
Image Livre du Saint-Sacrement (2 CD)
Paul Jacobs, organ

Livre du Saint-Sacrement (The Book of the Blessed Sacrament) is Messiaen's last and longest organ work, a thematic cycle based on the sacrament of Communion comprising eighteen movements, many based on his recorded improvisations, arranged into three thematic groups. Hailed for his prodigious technique, vivid interpretive imagination and charismatic showmanship, Paul Jacobs is widely acknowledged for reinvigorating the American organ scene with a fresh performance style and 'an unbridled joy of music-making' (Baltimore Sun). He has performed the complete organ works of Olivier Messiaen in nine-hour marathons in eight American cities.




159 kr
Image Les Corps Glorieux; Messe de la Pentecôte
Messiaen's Les Corps glorieux is considered the pinnacle of his pre-war organ compositions. Ten years later the Messe de la Pentecôte marked a departure in style, drawing on liturgical improvisations and birdsong. This is Tom Winpenny’s third recording of music by Messiaen. La Nativité can be heard on 8573332 and L’Ascension on 8573471.

89 kr
Image Orchestral Works, Vol. 2
Lyon National Orchestra / Jun Märkl

Olivier Messiaen's uniquely distinctive and powerfully expressive musical voice drew strength from religious faith and nature. A prestigious commission, Et exspecto resurrectionem mortuorum commemorates the dead of two World Wars through the transcendence of Christ's Resurrection. Scored for winds and percussion, the work is conceived for and conjures up vast spaces. Le tombeau resplendissant and Hymne are early works, but equally filled with mystery and symbolism. Fanfare magazine described Jun Märkl's previous volume in this series (Poèmes pour Mi / 8.572174) as "the best recording around of a mesmerizing masterwork".



79 kr
Image Madrigal / Cinco invocaciones al Crucificado
Sasha Cooke, mezzo-soprano • Tim Fain, violin
Perspectives Ensemble • Angel Gil-Ordóñez, conductor
Sato Moughalian, flute • Blair McMillen, piano

Spanish - and Catalan music in particular - was hugely enriched by the contribution made to its development in the latter part of the twentieth-century by Xavier Montsalvatge. Both as a composer and critic, his influence was widespread, and his music stylistically broad. Folia daliniana explores elements of fantasy and French-tinged refinement whilst one of his major song cycles, Cinco invocaciones al Crucificado, is a passionately intense meditation on Christ's suffering. Whether rhapsodic or invoking rhythmic or popular dance forms, Montsalvatge's music remains brilliant, clear and individualistic.



89 kr
Image Sinfonia de Requiem
89 kr
Image Requiem
...en av de bästa Requiem-tolkningar jag hört...

(Nerikes Allehanda)



Vid sin alltför tidiga död 1791 var Mozarts "Requiem" ej färdigt. Den som fullbordade detta mästerverk var Mozarts elev F X Süssmayr. Det finns flera olika versioner av Mozarts "Requiem". Här kan vi höra Süssmayrversionen som är den vanligast förekommande. "Requiem" är Mozarts mest personliga, lidelsefulla och djupsinniga verk.



Miriam Allan, sopran; Anne Buter, mezzosopran;

Marcus Ullmann, tenor; Martin Snell, bas.

Gewandhaus Chamber Choir; Leipzig Chamber Orchestra/
Morten Schuldt-Jensen.




69 kr
Image Requiem / Missa Prolationum / Intemerata Dei Mater
89 kr
Image Passio
GRAMOPHONE EDITOR'S CHOICE

...Antony Pitts' Tonus Peregrinus deliver an elegantly agile and eloquent performance of depth and distinction...
(Gramophone)



Tonus Peregrinus / Antony Pitts.

I sitt sakrala verk "Passio", komponerat 1982, använder Arvo Pärt sin speciella treklangsteknik som han kallar "tintinnabulist". Denna teknik skapar en mycket suggestiv och ödesmättad klangvärld. Det spännande med denna inspelning är att Tonus Peregrinus, under ledning av Anthony Pitts, har haft ett mycket nära samarbete med tonsättaren. Ensemblen har följt Pärts partitur så noggrant som möjligt och de har fått exakta instruktioner av Arvo Pärt om hur verket skall uppföras.


Arvo Pärt



1. Passio Domini Nostri Jesu Christi secundum Joannem



2. Et adduxerunt eum ad Annam primum



3. Adducunt ergo Jesum a Caipha in praetorium



4. Tunc ergo tradidit eis illum ut crucifigeretur



49 kr
Image Polish Requiem (2 CD)
"Polish Requiem" är den polske kompositören Krzysztof Pendereckis mest kraftfulla och ödesmättade verk. Penderecki skrev det under en period på tretton år med början 1980.



...Wits och Warzawafilharmonikernas inspelningar (Requiem & Lukaspassionen) är självklara alternativ för nästan inga pengar alls...

(Svenska Dagbladet)

Izabela Kłosiƒska, sopran;


Jadwiga Rappé, alt;



Ryszard Minkiewicz, tenor;


Piotr Nowacki, bas.



Warsaw National Philharmonic Choir; Warsaw National Philharmonic Orchestra / Antoni Wit.



Krzysztof Penderecki - Polish Requiem



CD 1

Krzysztof Penderecki

A Polish Requiem

1. Introitus

2. Kyrie

3. Dies Irae

4. Tuba mirum

5. Mors stupebit

6. Quid sum miser

7. Rex tremendae

8. Recordare Jesu pie

9. Ingemisco tanquam reus

10. Lacrimosa



CD 2

1. Sanctus

2. Agnus Dei

3. Lux aeterna

4. Libera me, Domine

5. Offertorium - Swiety Boze

6. Libera animas



159 kr
Image St Luke Passion
Pendereckis "Lukaspassionen" har hämtat inspiration från bl a Bachs passioner, som skildrar Jesu lidande och korfästelse med recitativ, arior och körer. Pendereckis dramatiska tonsättning rönte mycket uppmärksamhet vid uruppförandet och framfördes därefter flitigt både i USA och Europa.



...bra framförande...

(Svenska Dagbladet)

Izabella Kłosiƒska, sopran:
Adam Kruszewski, baryton;

Romuald Tesarowicz, bas;
Krzysztof Kolberger, evangelist;

Jaroslaw Malanowicz, orgel.

Warsaw Boys Choir; Warsaw National Philharmonic Choir and Orchestra / Antoni Wit.

Krzysztof Penderecki - Lukaspassionen



Del I

1. O Crux ave (Hymn Vexilla Regis prodeunt)

2. Et egressus (Lukasevangeliet)

3. Deus meus (Psalm 21)

4. Domine, quis habitabit (Psalms 14, 4 & 15)

5. Adhuc eo loquente (Lukasevangeliet)

6. Ierusalem (Jeremia)

7. Ut quid, Domine (Psalm 9)

8. Comprehendentes autem eum (Lukasevangeliet)

9. Iudica me, Deus (Psalm 42)

10. Et viri, qui tenebant illum (Lukasevangeliet)

11. Ierusalem (Jeremia)

12. Miserere mei, Deus (Psalm 55)

13. Et surgens omnis (Lukasevangeliet)



Del II

14. Et in pulverem (Psalm 21)

15. Et baiulans sibi crucem (Lukasevangeliet)

16. Popule meus (Improperia)

17. Ibi crucifixerunt eum (Lukasevangeliet)

18. Crux fidelis (Antiphon ur from Pange lingua)

19. Dividentes vero (Lukasevangeliet)

20. ...in pulverem mortis (Psalm 21)

21. Et stabat populus (Lukasevangeliet)

22. Unus autem (Lukasevangeliet)

23. Stabant autem iuxta crucem (Lukasevangeliet)

24. Stabat Mater (Sekvens)

25. Erat autem fere hora sexta (Lukasevangeliet)

26. Alla breve

27. In pulverem mortis... / In te, Domine, speravi (Psalm 30)



89 kr
Image Utrenja
Penderecki's Utrenja was inspired by the Orthodox liturgy for Holy Saturday with its focus on the lamentation of Christ's death and the Easter Sunday morning service commemorating the Resurrection. The composer remarks that 'Utrenja is a combination of pure, a cappella vocal writing and orchestral effects (for strings and percussion) very much connected with electronic music'. Enthusiastically received by audiences, it stands beside his Polish Requiem (8.557386-87) and St Luke Passion (8.557149) as one of the towering masterpieces of modern Polish music.




89 kr
Image Stabat Mater
...we can hardly fail to take a special pleasure in the loverly sound of Julie Faulkner's voice...

... In the Pergolesi her tone is equally pure and in full bloom, her style spendidly clean and athletic in the broad intervals and florid work. The voices match beautifully in duet, and in all such respects the performances deserve warm recommendation...

(Gramophone)

Julia Faulkner, soprano; Anna Gonda, alto.

Budapest Camerata/Michael Halász.




69 kr
Image Stabat Mater / Salve Regina
Den italienske kompositören Giovanni Battista Pergolesi (1710-1736) mest kända verk är hans "Stabat mater" som här ingår. Satser ur detta sakrala, vackra verk har ofta använts som filmmusik, bl a i filmerna "Amadeus", "Jesus i Montreal" och "Fröken Smillas känsla för snö".



Jörg Waschinski, soprano; Michael Chance, countertenor.

Cologne Chamber Orchestra/Helmut Müller-Brühl.


GIOVANNI BATTISTA PERGOLESI

Stabat Mater

1. Stabat mater dolorosa

2. Cuius animam gementem

3. O quam tristis et afflicta

4. Quae moerebat et dolebat

5. Quis est homo qui non fleret

6. Vidit suum dulcem natum

7. Eia mater, fons amoris

8. Fac, ut ardeat cor meum

9. Sancta Mater, istud agas

10. Fac, ut portem Christi mortem

11. Inflammatus et accensus

12. Quando corpus morietur



Salve Regina c-moll

13. Salve Regina

14. Ad te clamamus

15. Ad te suspiramus

16. Eia ergo

17. Et Jesum

18. O clemens, o pia


79 kr
Image Lamentations
79 kr
Image NYHET2016: Holocaust Requiem
Of Ukrainian origin, Boris Pigovat is now based in Israel where he has won several distinguished national awards. His Holocaust Requiem received the ACUM prize in 1995, and was premièred at a concert dedicated to the massacre of Jews at Babi Yar. Each movement is named after the Latin Mass text, the emotional symbols of sorrow, suffering and hope expressed purely instrumentally but led by the 'human' voice of the viola.

The deliberately Russian Romantic style of Poem of Dawn was especially chosen by the composer for the work's dedicatee, acclaimed violist Anna Serova.



79 kr
Image Requiem
Coro e Orquestra Gulbenkian • Paulo Lourenço
Joana Carneiro
Fernando Eldoro


Much decorated by his native country, António Pinho Vargas, originally best known for his jazz performances, is now one of Portugal's leading classical composers. His instrumental and film music has won numerous awards, and his chamber works have been performed by some of the world's leading ensembles. In turning to the sacred, Pinho Vargas has crafted music of moving declamatory power. He has organized Judas into five specific scenes with an epilogue, whilst the Requiem is a very personal and powerful reply, in the composer's words, 'to a history of numerous works of the past'.



89 kr
Image NYHET2016: Mass in G major
Brought up in the Roman Catholic faith, which he abandoned in 1917 following the death of his father, Poulenc returned to the Church in 1936 after the death of his close friend and fellow composer Pierre-Octave Ferroud. Together these events caused a spiritual crisis in Poulenc's life which led to a series of important compositions for chorus.The powerful Mass in G major, dedicated to the memory of his father, is notable for its daring use of tonality, though the playfulness of Poulenc's 'Les Six' period is not absent. In the Sept Chansons, set to surrealist texts, and in the two sets of Motets - both very personal and penitential - Poulenc generates a huge range of emotion.These are popular examples of Poulenc's vocal music. They appear in a big multi-disc EMI boxed retrospective. Many have recorded the great Mass in G major - the American conductor Robert Shaw coupled it with the Quatre Motets pour le temps de Noel - in an all-Poulenc 2003 disc for Telarc. But many conductor such as Haitink, Hickox, Dutoit, Pretre and Ozawa have also recorded the Masse. The Sept Chansons are popular - they feature on a Channel Classics disc with the Mass and Fugure humaine -but also in mixed recitals alongside vocal music by Hindemith, Debussy and Ravel, for example, on Capriccio.



79 kr
Image Stabat Mater / Gloria / Litanies à la vierge noire
79 kr
Image Vespers
Vacker sakral körmusik!

Raissa Palmu, sopran; Erja Wimeri, alt; Eugen Antoni, tenor. Finnish National Opera Chorus/Eric-Olof Söderström.


Rachmaninovs Vespers räknas som en av mästerverken inom den ortodoxa sakrala musiken från 1900-talet. Verket skrevs under Rachmaninovs mest kreativa period, som kulminerade med den andra och tredje pianokonserten, operan Francesca da Rimini och
den andra symfonin. Vespers är influerat av melodier från den gamla ortodoxa sakrala musiken, men det finns även tydliga slaviska influenser. Mycket vacker och meditativ körmusik!






Sergej Rachmaninov



Vespers (All-Night Vigil)

1. Come, let us worship

2. Bless the Lord, O my soul

3. Blessed is the man

4. Gladsome light

5. Canticle of Simeon

6. Troparion for the Virgin Mary

7. Intonation to the Hexapsalm

8. Polyeleopsalm

9. Troparia of the Resurrection

10. Having beheld the Resurrection

11. Hymn of Thanksgiving.to the Mother of God

12. The Great Doxology

13. Troparion of the Resurrection I

14. Troparion of the Resurrection II

15. Kontakion for the Annunciation of the Virgin Mary



79 kr
Image Organ Works, Vol. 15
Wolfgang Ru¨bsam
E. M. Skinner Organ • Rockefeller Chapel • University of Chicago

Max Reger is regarded by many as the greatest German composer of organ music since Bach, whose traditions he developed in the wide variety of hymn settings to be found in the 52 Easy Chorale Preludes. Reger's contrapuntal mastery and contrasting moods are present in the first of three volumes of Monologues, Op. 63, which opens with an impressive and monumental Prelude. The Postludium in D minor is a fitting conclusion to the programme. The E. M. Skinner organ in the Rockefeller Memorial Chapel, Chicago, is one of four University instruments considered amongst the finest examples of 20th century romantic organs built in America.



79 kr
Image Passio et Resurrectio
Den neopolitanske tonsättaren Sergio
Rendines påskkantat "Passio et Resurrectio" är inspirerad dels av klassisk musik och dels av folksånger från södra Italien. Detta verk är komponeret år 2000 och spelades under påvens Via Crusis-ceremoni i Rom.




Nando Citarella, berättare.
Pierpaolo Pecoriello, saxofon;

Lucilla Galeazzi, sopran:
Damiana Pinti, mezzosopran;

Maurizio Trippitelli, slagverk.


Chieti Marrucino Opera Chorus; Chieti Marrucino Opera Orchestra/Marzio Conti.


Sergio Rendine

Passio et Resurrectio

1. I. Passio domini nostri Jesu Christi: Tristis est anima mea

2. II. Passio domini nostri Jesu Christi: Hodie mecum eris in Paradiso

3. III. Passio domini nostri Jesu Christi: Mulier ecce filius tuus

4. IV. Passio domini nostri Jesu Christi: Stabat mater

5. V. Passio domini nostri Jesu Christi: Alli vint'ore steva addenucchiata

6. VI. Passio domini nostri Jesu Christi: Oblio

7. VII. Passio domini nostri Jesu Christi: Sitio

8. VIII. Passio domini nostri Jesu Christi: Agnus Dei

9. IX. Passio domini nostri Jesu Christi: Ventidue ore un colpo gli fu dato

10. X. Resurrectio domini nostri Jesu Christi: Alleluja

11. XI. Resurrectio domini nostri Jesu Christi: Exultate Deo

12. XII. Resurrectio domini nostri Jesu Christi: Alleluja, resurrexit




79 kr
Image Stabat Mater / Giovanna D’Arco
Majella Cullagh, soprano
Marianna Pizzolato, mezzo-soprano
José Luis Sola, tenor
Mirco Palazzi, bass

Camerata Bach Choir, Poznan / Tomasz Potkowski, chorus-master
Württemberg Philharmonic Orchestra / Antonino Fogliani

Rossini’s Stabat Mater is one of the staples of the sacred music repertoire but had a complicated history. He wrote it for performance in Madrid but, running short of time, enlisted the help of his friend Giovanni Tadolini. Rossini completed six pieces, Tadolini seven. Tadolini’s pieces now only exist as piano reductions but conductor Antonino Fogliani has orchestrated them to allow listeners to hear the original work for the first time since 1833. Marco Taralli’s 2009 orchestration of Giovanna d’Arco (Joan of Arc), a cantata for solo voice, is also heard on this first recording.

89 kr
Image Psalmfest
The psalms of David have been a source of inspiration to composers for centuries, each text forming a poetic shape the equivalent of a gothic arch, and expressing a broad range of timeless emotions. Recorded here for the first time in its complete form, John Rutter’s Psalmfest is a collection of nine settings for full orchestra as rich and varied as the original texts. The remaining psalm settings were written for special occasions, including the wedding of the Duke and Duchess of Cambridge in 2011.

89 kr
Image Stabat Mater
Rossinis Stabat Mater är ett verk med ett ofta dramatiskt tonspråk, influerat av operans ideal, ungefär som Verdis Requiem.

Patrizia Pace, sopran;

Gloria Scalchi, alt;

Antonino Siragusa, tenor;


Carlo Colombara, bas.










Hungarian State Opera Chorus; Hungarian State Opera Orchestra /
Pier Giorgio Morandi.





69 kr
Image Requiem
GRAMOPHONE EDITOR'S CHOICE



...Clare are fresh and natural, thoroughly musical in feeling and professional in care; they also have an advantage in recorded sound which, in the accompanied items, brings them further forward...

(Gramophone)

Elin Manahan Thomas, sopran; Nicholas Collon, orgel; Nicholas Rimmer, orgel.


Clare College Choir, Cambridge; City of London Sinfonia / Timothy Brown.




John Rutter skrev sitt "Requiem" 1985 till minne av sin avlidne far. Verket blev en omedelbar succé och uppfördes i Amerika över 500 gånger sex månader efter att det publicerats.
Här kan vi höra The Clare College Choir framföra detta "Requiem" i en ovanlig och spännande kammarversion som tidigare ej funnits på CD.

The Clare College Choir bildades 1971 och är en av de mest respekterade universitetskörerna i England.

John Rutter




Requiem


1. Requiem aeternam


2. Out of the deep


3. Pie Jesu


4. Sanctus


5. Agnus Dei


6. The Lord is my shepherd


7. Lux aeterna






Advent Anthem for choir and organ


8. Arise, shine





Anthem for double choir


9. Come down, O Love divine






Anthem for choir and flute


10. Musica Dei donum






Two Blessings for choir and organ


11. A Clare Benediction






Two Organ Pieces


13. Toccata in 7


14. Variations on an Easter theme






89 kr
Image Requiem
Carl Rütti's choral music is 'sensuous and exuberant by turns, combining dazzling rhythms and soaring melodies with distinctively lush harmonies' (Choir & Organ magazine). Of his Requiem, immense in scale yet often intimate in tone, the composer writes that 'no words are strong enough to express the feelings of the bereaved, nor sufficient to explain what will await us after death. Music may be the most appropriate language'. Scored for soprano, baritone, double choir, strings, harp and organ, Rütti's Requiem ultimately affirms life's precious fragility.




79 kr
Image Gerusalemme (Sacred Cantata) / Confitebor / Sympho
• This disc includes a world première recording: La perfidia giudaica, in a new critical edition by conductor Daniele Ferrari, whose previous recordings have been described as having “an air of elegance all round.” Gramophone on 8.557432



• Sammartini had a long and active musical career, working as maestro di cappella or organist in as many as ten different churches, yet surprisingly few of his sacred compositions survive. The sacred cantatas Della Passione di Gesù Cristo and L’addolorata Divina Madre feature three soloists and were first performed in the church of San Fedele in Milan.



• Much like the cantata Il pianto degli Angeli della Pace (Naxos 8.557432), vocal texture is largely dominated by a typically Italianate melodiousness and virtuosity, while the orchestral writing is full of daring harmonies, sparkling themes, and an inexhaustible wealth of ideas. The sacred cantatas Maria Addolorata and Il pianto di San Pietro are available on Naxos 8.557431.


Silvia Mapelli, soprano; Miroslava Yordanova, mezzo-soprano;
Giorgio Tiboni, tenor

Symphonica Ensemble/Daniele Ferrari

Giovanni Battista Sammartini

Gerusalemme sconoscente ingrata (Jerusalem, ungrateful and disowning), J-C 122

1. Introduction: Sinfonia

2. Recitative I: E Chi di voi mi reca Del mio Gesu novella? (Mary Salome)

3. Aria: Lupo crudel rapace (Mary Cleophas)

4. Recitative II: Oh popolo spergiuro! (Mary Salome)

5. Aria: Di Davidde il Figlio viva (Mary Salome)

6. Recitative III: Io stessa il vidi, in mezzo all'empio stuolo (Mary Magdalene)

7. Aria: Quel Serto, quel Manto (Mary Magdalene)

8. Recitative IV: Pur cio non valse ad ammolir que duri, Perfidi cori (Mary Cleophas)

9. Finale: Forsennata Sionne infedele (Angel Chorus)



10. Confitebor, J-C B-5



Symphony in E flat major, J-C 25

11. I. Presto

12. II. Allegro



Symphony in G minor, J-C 56

13. I. Allegro

14. II. Andante

15. III. Presto

79 kr
Image Pianto degli Angeli della Pace (Sacred Cantata)
Giovanni Battista Sammartini hade en lång karriär som musiker. Han var "maestro di capella" och organist i hela tio kyrkor. Här kan vi höra Sammartinis kantat "Il pianto degli Angeli della Pace" som uruppfördes i Milano 1751.


Silvia Mapelli, sopran;

Ainhoa Soraluze, mezzosopran;



Giorgoi Tiboni, tenor;


Filippo Ravizza, cembalo.


Capriccio Italiano Ensemble / Daniele Ferrari.






Giovanni Battista Sammartini

Il pianto degli Angeli della Pace, J-C 119

1. Introduzione (Sinfonia)

2. Terzetto: Amare lagrime

3. Recitativo I: Gia pel comun misfatto

4. Terzetto: Amare lagrime

5. Recitativo II: Io de l'alte Promesse a primi Padri

6. Aria dell' Angelo di Allianza: Oscurata impallidita (mezzosopran)

7. Recitativo III: Io di clemenza, e pace

8. Aria dell' Angelo del Testamento: Rasserenate il ciglio (sopran)

9. Recitativo IV: Itene pur Compagni

10. Aria dell' Angelo di Grazia: Dal profondo de' squallidi Abissi (tenor)

11. Recitativo V: Sotto l' Albero a morte

12. Terzetto: Amare lagrime



Symfoni Ess-dur, J-C 26

13. I. Allegro assai

14. II. Allegrino

15. III. Allegrissimo






79 kr
Image Sacred Cantatas
VÄRLDSPREMIÄR PÅ SKIVA

Daniele Ferraris inspelningar med sakral musik av G P Sammartini av lovordats av bl a Gramophone. De skrev bl a "an air of elegance all round" om CDn "Il pianto degli Angeli della Pace" (8.557432). Båda verken på denna CD får här får sin


Silvia Mapelli, sopran

Miroslava Yordanova, mezzosopran

Giorgio Tiboni, tenor

Symphonica Ensemble/Daniele Ferrari



Giovanni Battista Sammartini

1-9. Della Passione di Gesu Cristo, J-C124

10-18. L'addolorata Divina Madre, J-C 123


79 kr
Image Sacred Cantatas
Vi vill även påminna om följande Naxos-CD som innehåller den sakrala kantaten "Il pianto degli Angeli della Pace":



8.557432.




Silvia Mapelli, sopran;


Sonia Prina, alt;


Mirko Guadagnini, tenor;

Filippo Ravizza, cembalo.

Capriccio Italiano Ensemble / Daniele Ferrari.


Giovanni Battista Sammartini

Maria Addolorata J-C 121




Il pianto di San Pietro J-C 117


79 kr
Image Sacred Vocal Music: Stabat Mater / Te Deum / Magni
Domenico Scarlatti is known today for his many harpsichord sonatas. The earlier part of his career, however, was concentrated on sacred and secular vocal music. While his Te Deum was probably written for Lisbon, the other works included here come from Scarlatti’s earlier period in Rome, where he was employed for a time at Santa Maria Maggiore and officially at the papal Cappella Giulia. The best known example of Scarlatti’s church music is his Stabat Mater. A remarkable synthesis of the old and the new, the work is scored for ten voices, two five part choirs, and continuo; all voices are seldom heard together but are deployed in a series of contrasting and sometimes florid textures.





79 kr
Image German Requiem / Seven Words of Jesus Christ on th
Heinrich Schütz var en av de ledande kompositörerna i 1600-talets Tyskland. I sina sakrala verk kombinerade Schütz italienska influenser, från bl a Gabrieli, med tysk musik med rötterna i den protestantiska traditionen.
Förutom "Musicalisches Exequien" ingår här även bl a "Die sieben Worte Jesu Christi am Kreuz".



Bettina Pahn, sopran;

Veronika Winter, sopran;



Henning Voss, countertenor;


Henning Kaiser, tenor;

Jan Kobow, tenor;





Ralf Grobe, bas;

Ulrich Maier, bas.





Alsfelder Vokalensemble; Himlische Cantorey;

Barockorchester I Febiarmonici / Wolfgang Helbich.

Heinrich Schütz

Musicalische Exequien SWV 279-281


1-2. Concert in Form einer teutschen Begräbniss-Missa


3. Motette: Herr, wenn ich nur dich habe


4. Canticum B. Simeonis: Herr, nun lässest du deinen Diener





Die sieben Worte Jesu Christi am Kreuz SWV 478


5. Introitus: Da Jesus an dem Kreuze stund


6. Symphonia


7. Und es war um die dritte Stunde


8. Symphonia


9. Conclusio





10. Die mit Tränen säen SWV 378





11. So fahr ich hin zu Jesu Christ SWV 379

79 kr
Image Requiem
...Faure's Cantique de Jean Racine makes a perfect conclusion to this lovely programme...

(Gramophone)



...The fresh, forward choral tone goes with an unmannered interpretation from Jeremy Summerly, with soloists comparably fresh toned...

(Penguin Guide)



...Summerly's scholarly and excellently performed programme...is very attractive...

(BBC Music Magazine)

Gabriel Faurés vackra "Requiem" tillhör en av de mest populära inom denna genre. I den kända fjärdesatsen – Pie Jesu – kan vi här höra sopranen Lisa Beckley i ett ypperligt framförande.




69 kr
Image Crucifixion, The
Stainers "Crucifixion", som använt bl a Bachs "Matteuspassionen" som modell, är ett av det mest populära körverken i England. "Crucifixion" innehåller satser såsom den uttrycksfulla "Crucify Him" och verkets centrala stycke "God so loved the world".

James Gilchrist, tenor; Simon Bailey, bas; Stephen Farr, orgel.

Clare College Choir, Cambridge/Tim Brown.



79 kr
Image Requiem (2 CD)
Stanfords "Requiem" skrevs till minne av konstnären Lord Leighton, som var en mycket betydande gestalt inom engelskt kulturliv under slutet av 1800-talet. Ingår gör här också utdrag ur Stanfords första opera "The Veiled Prophet of Khorassan" som är baserad på Thomas Moores "Lalla Rookh".

Virginia Kerr, sopran;
Frances Lucey, sopran;




Colette McGahon, mezzosopran;

Peter Kerr, tenor;



Nigel Leeson-Williams, bas.


RTE Philharmonic Choir; Ireland National Symphony Orchestra / Adrian Leaper.









Charles Villiers Stanford

CD 1

Requiem Op 63

1. Introit: Adagio

2. Kyrie: Allegro tranquillo ed espressivo
3. Gradual: Larghetto

4. Sequence - Dies irae: Allegro moderato ma energico

5. Offertorium: Allegro



CD 2

1. Sanctus: Allegro non troppo

2. Agnus Dei et Lux aeterna: Tempo di marcia funebre



The Veiled Prophet of Khorassan (utdrag)

3. Overture

4. Ballet Music No. 1

5. There's a Bower of Roses

6. Ballet Music No. 2

159 kr
Image Stabat Mater, Rise Again, Song to the Soul
Choral music was central to Charles Villiers Stanford's life as a composer. Balancing solemnity with rapturous affirmation. The Resurrection was his first major choral work, written while he was studying under Carl Reinecke in Leipzig and anticipating Mahler's use of Klopstock's eponymous poem in his "Resurrection" Symphony. The dramatic, at times almost operatic and Wagnerian Stabat Mater is a cantata with two purely orchestral movements suggestive of a large-scale symphony, while Song to the Soul contains some of Stanford's most exhilarating utterances, though it was never performed in his lifetime.

89 kr
Image Passion Week
The Clarion Choir / Steven Fox

Passion Week is a long-lost choral masterpiece composed by Rimsky-Korsakov’s favourite student, heir apparent and son-in-law, Maximilian Steinberg. A product of his interest in the sacred and mystical, it is a tour de force of the systematic use of medieval Church Slavonic chant melodies and shares with Rachmaninov’s All-Night Vigil the colourful use of choral textures. Steinberg’s settings are complex and rich, with a diverse and sometimes daring harmonic palette, offering eleven movements of distinctive and expressive content that reveal an artist’s search for identity at a time of increasing hostility to religion.

89 kr
Image Stabat Mater / Veni Creator / Liturgy to the Virgi
Karol Szymanowski's Stabat Mater, set to a Polish translation of the medieval poem, makes extensive use of traditional Polish musical ideas. His setting of the Veni Creator was composed for the opening of the Warsaw Academy of Music, of which he was the first rector. The Litany for the Virgin Mary is a more meditative work, yet rises at times to a level of rhapsodic intensity. All the choral works on this recording are as firmly embedded in Christian musical tradition as they are recognisably of their period.





89 kr
Image Stabat Mater / Veni Creator / Litany to the Virgin
79 kr
Image Requiem
Randall Thompson’s choral works retain the affection of American choral singers and conductors alike. The Requiem is his masterpiece, written in response to the loss of close friends and colleagues. Using a wideranging selection of Biblical verses, it takes the form of a dramatic dialogue between two choirs, a ‘chorus of mourners’ and a ‘chorus of the faithful’, concerning eternal life. Recorded here for the first time in its complete form, this Requiem is an emotional and dramatically intense journey of conflict and resolution, and entirely unique within American music history and the requiem tradition as a whole.

89 kr
Image Requiem
GRAMOPHONE EDITOR'S CHOICE


HÖGSTA BETYG I P2:s CD-REVYN



...Naxos have done it again. I have little hesitation in preferring this version among modern large-scale performances...

(Gramophone)

Elena Filipova, sopran;
Gloria Scalchi, mezzosopran;

Cesar Hernandez, tenor;
Carlo Colombara, bas.











Hungarian State Opera Chorus & Orchestra / Pier Giorgio Morandi.



129 kr
Image Missa Christus resurgens / Christus resurgens / Ma
89 kr
Image St. Mark Passion
Charles Wood made an important contribution to Anglican church music, with liturgical settings that remain part of cathedral choral repertoire. Answering a request from Eric Milner-White, the then Dean of King’s College, Cambridge, Wood completed his setting of the St Mark Passion in August 1920. As with J.S. Bach’s inclusion of Lutheran chorales in his St John Passion, here the flow of the biblical narrative in English, interspersed with well-known hymns for choir and congregation, provides the key to the work’s success.





79 kr
Image Agnus Dei
89 kr
Image De Profundis
Vasari Singers • Jeremy Backhouse

These three pairs of sublime choral settings span well over 350 years. The earliest is Allegri's Miserere, a work considered so precious it was kept secret until Mozart heard it and famously transcribed it from memory. James MacMillan's 21st century companion piece is a transcendent reply to this challenge from history. Malipiero's and Pizzetti's resumption of a fractured friendship resulted in their mutually dedicated but differing settings of De profundis. Puccini's brief but exquisite Requiem commemorated the death of Verdi, while Pizzetti, a late admirer of Puccini, revealed his empathy with vocal polyphony in a full setting of the Requiem Mass.



79 kr
Image An Easter Album (2 CD)
Includes sacred music such as "Lacrimosa" from Mozart's "Requiem", "Hallelujah" from Handel's "Messiah" and Fauré's "Pie Jesu".


Various artists

An Easter Album



CD 1

1. MILLER When I survey the wonderous cross

2. MOZART Lacrimosa ur Requiem

3. BACH O sacred head sore wounded

4. VIVALDI Largo ur Fyra årstiderna

5. PERGOLESI Stabat mater dolorosa ur Stabat Mater

6. MOZART Confutatis ur Requiem

7. BACH Adagio ur Påskoratorium

8. HÄNDEL I Know that My Redeemer Liveth ur Messias

9. HANDEL Hallelujah ur Messias

10. HAYDN Introduktion ur Jesu sju sista ord på korset

11. BACH Ruht wohl, ihr heiligen Gebeine ur Johannespassion

12. GIBBONS Drop, drop slow tears

13. PALESTRINA Lesson I for Maundy Thursday

14. DUNSTABLE Veni Sancte Spiritus

15. GREGORIAN CHANT Haec dies ur Alleluia



CD 2


1. IRELAND My song is love unknown

2. STAINER God so loved the world ur The Crucifixion

3. STAINER Litany of the Passion ur The Crucifixion

4. FAURE Pie Jesu ur Requiem

5. ELGAR Ave verum corpus

6. RACHMANINOV Triparion of the Resurrection I ur Vespers

7. RACHMANINOV Triparion of the Resurrection II ur Vespers

8. RIMSKY-KORSAKOV Rysk påskuvertyr

9. PÄRT Passio Domine nostri Jesu Christi ur Passio

10. LEIGHTON Christ in his Passion ur Crucifix pro nobis

11. TAVENER The Protecting Veil

12. TAVENER Christ is Risen ur The Protecting Veil

13. RUTTER The Lord is my shepherd ur Requiem



159 kr
Image Favourite Sacred Masterpieces
Some of the world's greatest sacred masterpieces are heard on this disc, performed by some of the world's leading vocal ensembles. The journey ranges from Thomas Tallis's extraordinary Spem in alium to César Franck's immortal Panis angelicus. Pergolesi's Stabat mater is a masterpiece of the early eighteenth century. Mozart, who as a 14-year-old had copied out Allegri's Miserere from memory, is represented by his beautiful Ave verum corpus. It is impossible to omit the Bach-Gounod Ave Maria from a journey that crosses geographical borders and spans the centuries.



79 kr
Image 10CD-BOX: Great Sacred Masterpieces
279 kr
Image Gregorian Chant for Meditation
79 kr
Image In Passione et Morte Domine - Gregorian Chant for
79 kr
Image Lamentations (White / Tallis / Palestrina)
89 kr
Image Lost City (The) - Lamentations
Miranda Laurence and Susanna Fairbairn, sopranos
Robert Vanryne, trumpet
Sospiri
Christopher Watson, conductor

The Lamentations of Jeremiah may be unremittingly sad, but they have had a deep resonance for composers throughout the ages. This is a collection that reflects that diversity - from John Mundy's setting, which highlights the grave concern over schisms in the Catholic Church of the sixteenth century, through to Rudolph Mauersberger's motet, which mourns the destruction of the city of Dresden in 1945. Two new pieces were commissioned especially for this project, and are recorded here for the first time: John Duggan's haunting set of three Lamentations for choir, trumpet and solo soprano; and Cecilia McDowall's exotic and powerful The Lord is Good, which was shortlisted for a BASCA award in 2012.



79 kr
Image The Mass of Tournai / St Luke Passion
Tidiga vokalmusik framförd av den lovprisade kören Tonus Peregrinus.

Tonus Peregrinus / Antony Pitts.


Denna CD innehåller några av de tidigaste komponerade mässorna och passionerna. Både dessa verks tonsättare är okända. "Mass of Tournai" – skrevs i mitten på 1300-talet och framfördes i den magnifika Tournaikatedralen (nuvarande Belgien). "Lukaspassionen", komponerades i England i början av 1400-talet, hittades i det s k Windsor-manuskriptet och är troligen skrivet för
St George, Windsor.
Kören Tonus Peregrinus har fått oerhört fin kritik för sin förra CD på Naxos – Arvo Pärts "Passio" (8.555860) – bl a utsågs den till
Editor's Choice i Gramophone.


Anon



Mass of Tournai

1. Kyrie

2. Gloria

3. Credo

4. Sanctus

5. Agnus Dei

6. Se grasse / Cum venerint / Ite missa est



St. Luke Passion

7. The first day of Unleavened Bread

8. The Mount of Olives

9. The high priest's house

10. The council of the elders

11. Pilate and Herod

12. The place called The Skull

13. The tomb





89 kr
Image Music For Brass Septet
What if four celebrated nineteenth-century composers-Mendelssohn, Schumann, Bruckner and Brahms-had written original works for brass septet? This disc explores that fascinating counterfactual twist, re-imagining choral and organ works by those composers. The arrangements call on the full dynamic and tonal range of the instruments-often extended with a multitude of mutes-to imitate the expressivity of the choir, the power of the organ, and the versatile sonorities of its different registrations and manuals. In dazzling and varied combinations the arrangers and performers together persuade us that this could indeed be original brass chamber music.



89 kr
Image Statements
Yale Choral Artists has rapidly established itself as one of the most innovative professional choirs in the world. These recordings of works by three Yale composers also showcase the breadth of contemporary American choral music.

89 kr
Image Music for Brass Septet, Vol. 4
Septura:
Alan Thomas and Simon Cox, trumpets in B flat
Huw Morgan, trumpet in E flat
Peter Smith, tuba
Matthew Gee and Matthew Knight, trombones
Dan West, bass trombone

No brass series would be complete without Giovanni Gabrieli, and his music is the starting point as Septura continue on their counterfactual course, imagining that four titans of the counter-reformation had written for brass. The sacred choral works of these renaissance masters – Victoria, Gabrieli, Palestrina and Lassus – are a perfect fit for the musical and emotional compass of the brass septet, and the result is a stunning survey of the culminations of the Spanish, Venetian, Roman and Franco-Flemish schools.

89 kr
Image Songs of Peace and Praise
This recording of choral works showcase a group of composers who are or were once faculty members of the Aaron Copland School of Music at Queens College, CUNY. The widely differing languages and poetic aesthetics set by these composers represent the concept of “Songs of Peace and Praise,” from symbolic, descriptive pieces such as Bright Sheng’s Two Folk Songs from Qinghai to tender and moving interpretations of traditional texts such as Allen Brings’ In paradisum. The voices of The New York Virtuoso Singers and Queens College combine to express the universal nature of shared experience.

89 kr
Image Music from the Eton Choirbook
Tonus Peregrinus / Antony Pitts

The Eton Choirbook is a giant 500 year-old manuscript from Eton College Chapel, and one of the greatest surviving glories of pre-Reformation England. This recording features the earliest polyphonic Passion by a named composer, two heartrending motets for five and six voices, two thrilling settings of the Magnificat, and an extraordinary canon in 13 parts, Jesus autem transiens. The ensemble TONUS PEREGRINUS has been widely acclaimed, not least for its "richly sung and very well recorded" programme of Orlando Gibbons, L'Estrange, and Pitts. (The Penguin Guide on 8.557681)




89 kr
Image Mystic Voices (2 CD)
Choral and vocal masterpieces for spiritual meditation and relaxation. The ultimate musical antidote to these stressful times.





159 kr
Image Paschale Mysterium - Gregorian Chant for Easter
...The singing is typical of the best woman's chant choirs...

(Fanfare)


Aurora Surgit / Alessio Randon.




79 kr
Image Passiontide
Sakral musik av bl a J S Bach, Lotti, Pergolesi och Vaughan Williams.

Manchester Cathedral Choir / Christopher Stokes.




79 kr
Image Pater Noster
The King's Singers

GRAMMY® Award winners in 2009, The King's Singers are one of the world's most celebrated ensembles. Their programming concept in this disc is unique: built upon the individual clauses of The Lord's Prayer, beginning and ending in plainchant, it ranges over the centuries to explore the spiritually charged text. Chant is at the heart of the programme, and each composer's setting illuminates the others, shedding rich interpretative light on the poetic and devotional aspects of the prayer.



79 kr
Image Percival's Lament - Medieval Music and the Holy Gr
Capilla Antigua de Chinchilla
José Ferrero, conductor

The Holy Grail has occupied a central place in Western life. It was believed by many to have been used by Christ at the Last Supper, and in the middle ages writers saw the Grail as a dish, or a chalice, or a precious stone. Songs and instrumental music celebrated its mystical power and were composed by some of the greatest troubadours, mystics and singer-poets of the age: Chrétien de Troyes, Walther von der Vogelweide, Wolfram von Eschenbach, and Hildegard of Bingen. This disc uniquely focuses on the common threads between Grail literature and music.




89 kr
Image Requiem
Klassisk musik för meditation och eftertanke.

Requiem





1. Marsch ur Music on the Death of Queen Mary (Purcell)



2. Versa est in luctum (Lobo)



3. Quando morietur ur Stabat Mater (Pergolesi)



4. Dead March ur Saul (Händel)





Wolfgang Amadeus Mozart


ur Requiem K 626


5. Introitus, Requiem aeternam


6. Dies irae


7. Lacrimosa dies illa







8. Ihr habt nun Traurigleitb ur Ein Deutsches Requiem (Brahms)



9. Pie Jesu ur Requiem (Duruflé)




10. Priere a Notre Dame ur Suite Gothique Op 25 (Boëllmann)





11. In Paradisum ur Requiem (Fauré)




12. Agnus Dei, Lux aeterna ur Requiem (Stanford)





Giuseppe Verdi


ur Requiem


13. Agnus Dei ur Requiem


14. Libera me

79 kr
Image Russian Chant for Vespers
79 kr
Image Stabat Mater
79 kr
Image Ultimate Chant (2 CD)
The sound of unaccompanied chant moves and inspires those seeking the sublime. In our increasingly busy and secularized world, people return to chant, regardless of their religious beliefs, for the peace and calm that this eternal music offers.





159 kr
Image A Musical Journey: Germany
A Musical Visit to the Benedictine Abbey Church at Ottobeuren. Music from Messiah by Handel.



109 kr
Image NEW: Missa Salisburgensis (DVD)
Vaclav Luks and his Collegium 1704 forces convey the full splendour of Baroque spatial and sonic drama in this captivating live performance from the Salzburg Cathedral. The authentic 360-degree surround sound sends the music ricocheting from platform and galleries in a dazzling display that exploits acoustics and architecture alike. [NTSC 16:9 • Sound: PCM stereo, DTS 5.1 • Region code: 0 (worldwide)]

199 kr
Image NEW: Missa Salisburgensis (Blu-ray)
Vaclav Luks and his Collegium 1704 forces convey the full splendour of Baroque spatial and sonic drama in this captivating live performance from the Salzburg Cathedral. The authentic 360-degree surround sound sends the music ricocheting from platform and galleries in a dazzling display that exploits acoustics and architecture alike. [NTSC High Definition 16:9 • Sound: PCM stereo, DTS 5.1 • Region Code: A, B, C]

199 kr
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