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/ Sorabji, Kaikhosru - 100 Transcendental Studies, Nos. 84–100 (2CD) - Ullen, Fredrik
Sorabji, Kaikhosru - 100 Transcendental Studies, Nos. 84–100 (2CD) - Ullen, Fredrik
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By far the largest collection of concert etudes in the known repertoire, Kaikhosru Sorabji’s set of 100 Transcendental Studies, composed between 1940 and 1944, has a total duration of more than eight hours. On five previous discs, the Swedish pianist (and neuroscientist) Fredrik Ullen has introduced the first 83 etudes to a wider audience, the large majority of them appearing on disc for the first time. Now, 15 years after the release of the first volume comes the final installment, a 2-album set with the last 17 studies. In his own liner notes, Ullen describes the experience of learning and recording the collection: ‘From the F sharp minor of Study 1 to the F sharp minor chord concluding Study 100: traversing Sorabji’s Transcendental Studies has been somewhat like joining a comet following a long eccentric orbit through pianistic outer space, and finally returning back to mother earth.’
Disk: 1 |
100 Transcendental Studies Nos 84—100 | |
1 |
84. Tango habanera |
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2 |
85. (untitled) |
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3 |
86. Adagietto |
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4 |
87. Studio gammatico |
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5 |
88. (untitled) |
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6 |
89. Chopsticks |
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7 |
90. (untitled) |
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8 |
91. Volante leggiero |
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9 |
92. Legato possibile |
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10 |
93. Leggiero saltando |
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11 |
94. Ornaments |
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12 |
95. (untitled) |
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13 |
96. (untitled) |
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14 |
97. (untitled) |
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15 |
98. Staccato e vivace |
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Disk: 2 |
100 Transcendental Studies Nos 84—100 | |
1 |
99. Quasi Fantasia |
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2 |
100. Coda-finale: Parte prima a due voci |
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3 |
100. Coda-finale: Secondo soggetto |
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4 |
100. Coda-finale: Terzo soggetto |
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5 |
100. Coda-finale: Quarto soggetto |
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6 |
100. Coda-finale: Quinto soggetto |
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7 |
100. Coda-finale: Stretto maestrale |
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