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Bach, J S - 4CD-BOX: Organ Music Vol. 2 - Molardi, Stefano


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With the second volume of this complete survey of the greatest organ music ever written, we reach the summit of Bachs output for his own instrument, the Clavierübung, a set of intricate chorale preludes structured as an organ mass and bookended by his grandest prelude and fugue, BWV552, with its magnificent French Overturestyle prelude and inexorably pressing fugue known as the St Anne toAnglophone listeners on account of the melodys superficial (and coincidental) similarity to a hymntune of the same name.But Molardi offers much more on this generous selection, which does not slavishly group works according to genre but offers satisfying juxtapositions of style and mood while concentrating on the mature Leipzig period from which derives Clavierübung III, and including more preludes and fugues of protoRomantic weight of expression, climaxing in the tragic energy of the B minor pair, BWV544, which is fully worthy of itscounterpart that ends the first part of the WellTempered Clavier. In between come more chorale preludes, mostly withdrawn and reflective in tone.Molardi plays two instruments of a size and colour that would have been wellknown to Bach himself, including a splendid Dresden instrument by the nonpareil of contemporary organbuilders, Gottfried Silbermann. With its modern recording techniques, imaginative programming, virtuosic playing and thoughtful booklet notes by Molardi himself, this cycle promises to be a definitive set of Bach organ works forour times.With the second volume of this complete survey of the greatest organ music ever written, we reach the summit of Bachs output for his own instrument, the Clavierübung, a set of intricate chorale preludes structured as an organ mass and bookended by his grandest prelude and fugue, BWV552, with its magnificent French Overturestyle prelude and inexorably pressing fugue known as the St Anne toAnglophone listeners on account of the melodys superficial (and coincidental) similarity to a hymntune of the same name.But Molardi offers much more on this generous selection, which does not slavishly group works according to genre but offers satisfying juxtapositions of style and mood while concentrating on the mature Leipzig period from which derives Clavierübung III, and including more preludes and fugues of protoRomantic weight of expression, climaxing in the tragic energy of the B minor pair, BWV544, which is fully worthy of itscounterpart that ends the first part of the WellTempered Clavier. In between come more chorale preludes, mostly withdrawn and reflective in tone.Molardi plays two instruments of a size and colour that would have been wellknown to Bach himself, including a splendid Dresden instrument by the nonpareil of contemporary organbuilders, Gottfried Silbermann. With its modern recording techniques, imaginative programming, virtuosic playing and thoughtful booklet notes by Molardi himself, this cycle promises to be a definitive set of Bach organ works forour times.With the second volume of this complete survey of the greatest organ music ever written, we reach the summit of Bachs output for his own instrument, the Clavierübung, a set of intricate chorale preludes structured as an organ mass and bookended by his grandest prelude and fugue, BWV552, with its magnificent French Overturestyle prelude and inexorably pressing fugue known as the St Anne toAnglophone listeners on account of the melodys superficial (and coincidental) similarity to a hymntune of the same name.But Molardi offers much more on this generous selection, which does not slavishly group works according to genre but offers satisfying juxtapositions of style and mood while concentrating on the mature Leipzig period from which derives Clavierübung III, and including more preludes and fugues of protoRomantic weight of expression, climaxing in the tragic energy of the B minor pair, BWV544, which is fully worthy of itscounterpart that ends the first part of the WellTempered Clavier. In between come more chorale preludes, mostly withdrawn and reflective in tone.Molardi plays two instruments of a size and colour that would have been wellknown to Bach himself, including a splendid Dresden instrument by the nonpareil of contemporary organbuilders, Gottfried Silbermann. With its modern recording techniques, imaginative programming, virtuosic playing and thoughtful booklet notes by Molardi himself, this cycle promises to be a definitive set of Bach organ works forour times.
Fakta
Artikelnummer 94792
Streckkod 5028421947921
Utgivningsdatum 2014-10-08
Kategori Orgel
Skivbolag Brilliant Classics
Enhet CD
Antal enheter 4
Utövare
Artister Molardi, Stefano
Kompositörer Bach, J S
Disk: 1
1 lavierübung, Pt. 3: I. Prelude, BWV 552 No. 1 9:30
2 Clavierübung, Pt. 3: II. Kyrie, Gott Vater in Ewig 3:56
3 Clavierübung, Pt. 3: III. Christe, aller Welt Tros 5:12
4 Clavierübung, Pt. 3: IV. Kyrie, Gott Heiliger Geis 5:18
5 Clavierübung, Pt. 3: V. Kyrie, Gott Vater in Ewigk 1:46
6 Clavierübung, Pt. 3: VI. Christe, aller Welt Trost 1:24
7 Clavierübung, Pt. 3: VII. Kyrie, Gott Heiliger Gei 1:39
8 Clavierübung, Pt. 3: VIII. Allein Gott In Der Höh 3:16
9 Clavierübung, Pt. 3: IX. Trio super. Allein Gott i 6:11
10 Clavierübung, Pt. 3: X. Fughetta super. Allein Got 1:22
11 Clavierübung, Pt. 3: XI. Dies sind die heiligen ze 5:05
12 Clavierübung, Pt. 3: XII. Fughetta super. Dies sin 2:19
13 Clavierübung, Pt. 3: XIII. Wir Gläuben All An Eine 3:00
14 Clavierübung, Pt. 3: XIV. Fughetta super. Wir gläu 1:28
15 Clavierübung, Pt. 3: XV. Vater unser im Himmelreic 7:50
16 Clavierübung, Pt. 3: XVI. Vater unser im Himmelrei 1:34
17 Clavierübung, Pt. 3: XVII. Christ, Unser Herr, Zum 4:13
18 Clavierübung, Pt. 3: XVIII. Christ, Unser Herr, Zu 1:49
19 Clavierübung, Pt. 3: XIX. Aus tiefer Not schrei ic 6:50
20 Clavierübung, Pt. 3: XX. Aus tiefer Not schrei ich 3:37
21 Clavierübung, Pt. 3: XXI. Jesus Christus, unser He 3:47
22 Clavierübung, Pt. 3: Xxii. Fuga Super. Jesus Chris 5:02
23 4 Duettos, Op. 3: Duetto No. 1, BWV 802 2:10
24 4 Duettos, Op. 3: Duetto No. 2, BWV 803 3:55
25 4 Duettos, Op. 3: Duetto No. 3, BWV 804 3:35
26 4 Duettos, Op. 3: Duetto No. 4, BWV 805 3:02
27 Fugue à 5, BWV 552 No. 2 7:58
28 Fantasia in C Minor, BWV 1121 4:09
29 Christ lag in Todes Banden, BWV 718 5:57
30 Fantasia super. Christ lag in Todes Banden, BWV 69 3:50
31 Fantasia and Fugue in G Minor, BWV 542: I. Fantasi 5:20
32 Fantasia and Fugue in G Minor, BWV 542: II. Fugue 6:52
33 Prelude and Fugue in A Major, BWV 536: I. Prelude 2:11
34 Prelude and Fugue in A Major, BWV 536: II. Fugue 5:36
35 18 Chorale Preludes, BWV 651 - 668: I. Fantasia su 6:16
36 18 Chorale Preludes, BWV 651 - 668: II. Komm, Heil 11:41
37 18 Chorale Preludes, BWV 651 - 668: III. An Wasser 6:08
38 18 Chorale Preludes, BWV 651 - 668: IV. Schmücke d 9:06
39 18 Chorale Preludes, BWV 651 - 668: V. Trio super. 4:06
40 18 Chorale Preludes, BWV 651 - 668: VI. O Lamm Got 9:24
41 18 Chorale Preludes, BWV 651 - 668: VII. Nun danke 4:16
42 18 Chorale Preludes, Bwv 651 - 668: VIII. Von Gott 3:27
43 Prelude and Fugue in C Major, BWV 547: I. Prelude 5:12
44 Prelude and Fugue in C Major, BWV 547: II. Fugue 6:27
45 Prelude and Fugue in E Minor, BWV 548: I. Prelude 6:32
46 Prelude and Fugue in E Minor, BWV 548: II. Fugue 7:28
47 18 Chorale Preludes, BWV 651 - 668: IX. Jesus Chri 5:08
48 18 Chorale Preludes, BWV 651 - 668: X. Jesus Chris 3:47
49 18 Chorale Preludes, BWV 651 - 668: XI. Komm, Gott 2:40
50 18 Chorale Preludes, BWV 651 - 668: XII. Vor deine 4:49
51 Fugue in G Minor, BWV 578 3:54
52 Jesus, meine Zuversicht, BWV 728 2:38
53 Trio in C Minor, BWV 585: I. Adagio 3:04
54 Trio in C Minor, BWV 585: II. Allegro 2:34
55 Herr Jesu Christ, dich zu uns wend, BWV 709 3:44
56 Prelude in A Minor, BWV 569 6:22
57 In dich hab ich gehoffet, Herr, BWV 712 2:35
58 Liebster Jesu, wir sind hier, BWV 706 1:58
59 Trio in G Major, BWV 586 (Allegro) 4:38
60 Herzlich tut mich verlangen, BWV 727 2:19
61 Prelude and Fugue in B Minor, BWV 544: I. Prelude 6:40
62 Prelude and Fugue in B Minor, BWV 544: II. Fugue 7:37
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