Bizet, Georges - Carmen, highlights
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Bizet's opera Carmen was first produced at the Opera-Comique in Paris in 1875. The French genre of opera-comique had arisen in the eighteenth century as a Gallic counterpart of the Italian opera buffa, injecting an air of contemporary realism into operatic form. The success of operetta in the nineteenth century offered a challenge to the form, which retained the characteristic of the German Singspiel, spoken dialogue taking the place of the recitative of opera seria or French grand opera, but increasingly lacked power or conviction. Carmen, in its original version with spoken dialogue, derived largely from Prosper Mérimée's novel on which the opera was based. created something of a scandal, and opened the way to a new form of opera. While nineteenth century French audiences at the Opera-Comique might find in Micaela a recognisable character, Carmen, a vicious outcast from decent society, was not the ideal heroine for popular family entertainment.
Disk: 1 |
Act I: Seguidilla and Duet: Pres des remparts de S | |
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Act I: Finale: Voici l'ordre, partez |
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Prelude |
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2 |
Act I: Sur la place |
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3 |
Act I: Regardez donc cette petite |
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4 |
Act I: Avec la garde montante |
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5 |
Act I: La cloche a sonnee |
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6 |
Act I: La voila! La voila! |
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7 |
Act I: L'amour est un oiseau rebelle, "Habanera" |
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8 |
Act I: Carmen! sur tes pas nous nous pressons tous |
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9 |
Act I: Duet: Parle - moi de ma mere |
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10 |
Act I: Au secours! n'entendez - vous pas |
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11 |
Act I: Tra la la la, coupe - moi |
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12 |
Act I: Seguidilla and Duet: Pres des remparts de S |
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Disk: 2 |
Act II: Bel oficier, bel oficier | |
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Entr'acte |
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2 |
Act II: Gypsy Song: Les tringles des sistres tinta |
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3 |
Act II: Vivat! vivat le Torero |
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4 |
Act II: Couplets: Votre toast, je peux vous le ren |
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5 |
Act II: Quintet: Nous avons en tete une affaire |
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6 |
Act II: Canzonetta: Haite - la ! qui va la |
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7 |
Act II: Je vais danser en votre honneur |
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8 |
Act II: Attends un peu, Carmen |
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Act II: La fleur que tu m'avais jetee |
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10 |
Act II: Finale: Hola! Carmen! hola! hola! |
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11 |
Act II: Bel oficier, bel oficier |
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Disk: 3 |
Act IV: Ou vas - tu Laisse - moi | |
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Entr'acte |
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2 |
Act III: Sextet and Chorus: Ecoute, ecoute, compag |
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Act III: Trio: Melons! coupons! |
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Act III: Ensemble and Chorus: Quant au douanier, c |
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Act III: Je dis que rien m'epouvante |
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Act III: Duo: Je suis Escamillo |
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Act III: Finale: Hola! hola! Jose! |
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Act III: Moi je viens te chercher! |
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Act III: Helas! Jose! |
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10 |
Act III: Entr'acte |
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11 |
Act IV: A deux cuartos |
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Act IV: March and Chorus: Les voici! les voici! |
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Act IV: Si tu m'aimes, Carmen |
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Act IV: C'est toi C'est moi |
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Act IV: Ou vas - tu Laisse - moi |
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