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Lübeck, Vincent - Complete Harpsichord & Organ Music - Tomadin, Manuel


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Unfortunately, until recently, the music of Vincent Lubeck (c.September 1654–9 February 1740) was simply regarded as northern German music from the 17th century in the pre-Bach era. This recording is the first edition to include all existing organ and harpsichord compositions by Lubeck as well as a series of previously unknown manuscript pieces. Despite Lubeck’s fame during his long lifetime, few of his organ works are well known, yet his pieces for organ are the most important in his oeuvre. Influenced by Buxtehude and Reincken, Lubeck composed works that were both technically and artistically elaborate with frequent two-pedal virtuosic passages, five voices and other compositional elements rarely used by most of his contemporaries. Lubeck’s Clavier Uebung, written in 1728, consists of a single suite for harpsichord, with the traditional dances (Allemande, Courante, Sarabande and Gigue) preceded by a prelude and fugue and followed by a chaconne. The S.M.G. manuscript from 1691 includes 45 short pieces for keyboard, many anonymous although five are attributed to Lubeck’s father, and it also contains the only known compositions by Lubeck’s son. These pedagogical pieces work well on a small historic harpsichord or clavichord, or on a small or regal stop organ. In fact, the dynamic markings in certain pieces indicate clavichord, considered to be the preferred instrument on which to learn keyboard technique. Their charm and melodic inventiveness make them a joy to play. Vincent Lubeck lived from 1654 till 1740. He is one of the most important composers of the North-German Organ School, the organist of the Nikolai Church in Hamburg, one of the most important churches, housing an impressive Arp Schnitger organ. This set contains Lubeck’s complete works for harpsichord and organ. The pieces for organ are the most important of his works. Influenced by Dieterich Buxtehude and Johann Adam Reincken, Lubeck composed works that were both technically and artistically elaborate with frequent two-pedal virtuosic passages, five voices and other compositional elements rarely used by most of his contemporaries. This is particularly the case in his polyphonic writing, in the fugue passages and in the double fugues which demands a high level of virtuosity of the organist. Manuel Tomadin, one of Italy’s foremost organists, plays the magnificent Van Hagerbeer Schnitger organ of the Grote Kerk of Alkmaar, one of the most famous instruments in the world. The booklet contains excellent liner notes written by the artist, as well as the specifications of the instruments. Organ performances recorded on the Van Hagerbeer/Schnitger organ (1646/1725) at Grote Sint-Laurenskerk, Alkmaar, The Netherlands in September 2017, and a positiv organ by Francesco Zanin (2012) at Silvelle di Trebaseleghe, Padua, Italy in November 2017. Harpsichord performances recorded on an instrument by William Horn (after Michael Mietke, Berlin, 1700) at Silvelle di Trebaseleghe, Padua, Italy in November 2017. Contains liner notes, a biography of the artist, photographs of the instruments and specifications of the organs and harpsichord. Details of the organ registrations used for each track are available at www.brilliantclassics.com.
Fakta
Artikelnummer 95453
Streckkod 5028421954530
Utgivningsdatum 2018-07-27
Kategori Klassiskt
Skivbolag Brilliant Classics
Enhet CD
Antal enheter 2
Utövare
Artister Tomadin, Manuel
Kompositörer Lübeck, Vincent
Disk: 1
1 Praeambulum in D Minor, LübWV 11
2 Praeambulum in G Minor, LübWV 12
3 Chacon in A Major, LübWV 20
4 Praeambulum in E Major, LübWV 7
5 Ich ruff zu dir Herr Jesu Christ, LübWV 13
6 Praeambulum et fuga in F Major, LübWV 8
7 Praeambulum in G Major, LübWV 9
8 Nun lasst uns Gott, dem Herren, LübWV 15
9 Praeambulum in C Minor, LübWV 6
10 Ach wir Armen Sünder, LübWV deest
11 Praeambulum in C Major, LübWV 10
Disk: 2
1 Praeludium et fuga in A Minor, LübWV 16: I. Praelu
2 Praeludium et fuga in A Minor, LübWV 16: II. Fuga.
3 Suite in G Minor, LübWV 17: I. Allemande
4 Suite in G Minor, LübWV 17: II. Courante
5 Suite in G Minor, LübWV 17: III. Sarabande
6 Suite in G Minor, LübWV 17: IV. Gigue
7 Chaconne: Lobt Gott ihr Christen allzugleich, LübW
8 From the S.M.G. 1691 Manuscript: I. Menuet
9 From the S.M.G. 1691 Manuscript: II. L’Allemand
10 From the S.M.G. 1691 Manuscript: III. March
11 From the S.M.G. 1691 Manuscript: IV. Menuet
12 From the S.M.G. 1691 Manuscript: V. Menuet
13 From the S.M.G. 1691 Manuscript: VI. Aria. Mit Ged
14 From the S.M.G. 1691 Manuscript: VII. Trompeter St
15 From the S.M.G. 1691 Manuscript: VIII. Air Gavott
16 From the S.M.G. 1691 Manuscript: IX. Menuet
17 From the S.M.G. 1691 Manuscript: X. Englischer Win
18 From the S.M.G. 1691 Manuscript: XI. Menuet
19 From the S.M.G. 1691 Manuscript: XII. Folie d’Espa
20 From the S.M.G. 1691 Manuscript: XIII. March
21 From the S.M.G. 1691 Manuscript: XIV. Menuet
22 From the S.M.G. 1691 Manuscript: XV. Aria. Watt wa
23 From the S.M.G. 1691 Manuscript: XVI. Bourée
24 From the S.M.G. 1691 Manuscript: XVII. Menuet
25 From the S.M.G. 1691 Manuscript: XVIII. March LübW
26 From the S.M.G. 1691 Manuscript: XIX. Menuet LübWV
27 From the S.M.G. 1691 Manuscript: XX. Gavotte. Sa,
28 From the S.M.G. 1691 Manuscript: XXI. Entreé
29 From the S.M.G. 1691 Manuscript: XXII. Menuet
30 From the S.M.G. 1691 Manuscript: XXIII. Air
31 From the S.M.G. 1691 Manuscript: XXIV. Trompeter S
32 From the S.M.G. 1691 Manuscript: XXV. March
33 From the S.M.G. 1691 Manuscript: XXVI. Bourée
34 From the S.M.G. 1691 Manuscript: XXVII. Menuet
35 Suite in A Minor LübWV 21: I. Allemande
36 Suite in A Minor LübWV 21: II. Courante
37 Suite in A Minor LübWV 21: III. Sarabande
38 Suite in A Minor LübWV 21: IV. Gigue
39 Menuet
40 March
41 Menuet
42 Passepied
43 Menuet
44 Menuet
45 March
46 Menuet
47 Menuet
48 Menuet
49 Menuet
50 Praeludium in D Major, LübWV 19.1
51 Ciaconne LübWV 19.2
52 March
53 Menuet
54 Menuet du L’empereur Joseph
55 La reponse menuet
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