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Beethoven, Ludwig van - Complete Works for Piano & Cello - Höhenrieder, Margarita
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“Who would I need to be to be able to talk about a man who is still growing…” (Adam Zagajewski: “The late Beethoven”) Margarita Höhenrieder and I have known it all our lives: the elucidations of Carl Czerny or Rudolf Kolisch, the latest Urtext editions that will lead us to “faithfulness to the text”, the disquisitions from Romain Rolland to Eleonore Büning – we read, we discuss, it all seems helpful and necessary. At the end of the day it is the mature individual, the serious exponent, who makes the decision led by the promptings of conscience, and who simultaneously senses this “growing” of which Zagajewski speaks. We climb a steep path, in order to approach Beethoven more closely. The summit of this path is visible, but not attainable. That is why we keep returning to this path, endless as it is. Beethoven lives in us, as he changes, as we change. Life aspires to art, art is a way forward, life is our way forward. Beethoven changes us through his “growth”. We grow with him!
Disk: 1 |
Sonata No.1 in F Major Op. 5, No.1 | |
1 |
I Adagio sostenuto |
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2 |
II Allegro |
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3 |
III Rondo. Allegro Vivace |
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4 |
I Adagio sostenuto ed espressivo |
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5 |
II Allegro molto più tosto presto |
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6 |
III Rondo. Allegro |
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7 |
I Allegro ma non tanto |
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8 |
II Scherzo. Allegro molto |
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9 |
III Adagio cantabile |
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10 |
IV Allegro vivace |
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Disk: 2 |
Sonata No. 4 in C Major Op. 102, No.1 | |
1 |
I Andante |
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2 |
II Allegro vivace |
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3 |
III Adagio - Tempo d' Andante |
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4 |
IV Allegro - Allegro vivace |
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5 |
I Allegro con brio |
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6 |
II Adagio con molto sentimento d'affetto |
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7 |
III Allegro - Allegro fugato |
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8 |
über ein Thema aus Händels Oratorium "Judas Maccab |
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9 |
über "Ein Mädchen oder Weibchen" aus Mozarts Oper |
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10 |
über "Bei Männern, welche Liebe fühlen" aus Mozart |
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Utgången
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