Wellesz, Egon - Die Opferung des Gefangenen - Koch, Wolfgang
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‘This West Indian tragedy has remained the sole dramatic work of a heroic world in pre-Columbian times that, after a flourishing heyday, was abruptly terminated by foreign violence.’ Egon Wellesz (1925). In musical terms, the Opferung shows Egon Wellesz at the zenith of his creativity. In this music, Wellesz’ emancipation from his mentor Schoenberg and his aesthetics has progressed even further, as throughout his life Egon Wellesz was interested in evolving his own, unmistakable musical diction. The events of 12 March 1938 put a sudden end to this so successful career: As a Jew, monarchist and the writer of ‘degenerate music’, the 53-year-old musician was immediately removed from all of his posts and wanted by the police after ‘the seizure of power’. Following a long illness, Egon Wellesz died in Oxford in 1974.
Disk: 1 |
The SacRificE Of The Prisoner | |
1 |
Prelude |
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2 |
Appearance by the victorious general |
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3 |
The King/head of the Council |
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4 |
The King’s retinue / The Warriors |
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5 |
The King/the Head of the Council |
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6 |
1st dance: Dance of the six goblets |
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7 |
The captured Prince |
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8 |
2nd dance: Dance with the garments / King’s dance |
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9 |
The captured Prince |
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10 |
Choir of victors |
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11 |
3rd dance: Dance by the Princess |
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12 |
The captured Prince / Choir of the vanquished |
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13 |
4th dance: War dance by the eagles and jaguars |
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14 |
The captured Prince / The Prince’s Shield Bearer |
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15 |
5th dance:farewell from the mountains and valleys |
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16 |
Laments |
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17 |
Death of the captured Prince / Ritual sacrifice |
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18 |
Apotheosis |
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19 |
Hymn |
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