Mozart, W A - Don Giovanni (3 CD) - Sawallisch, Wolfgang

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Ruggero Raimondi (Don Giovanni), Margaret Price (Donna Anna), Julia Varady (Donna Elvira), Lucia Popp (Zerlina), Kurt Moll (Il Commendatore), Stafford Dean (Leporello), Hermann Winkler (Don Ottavio)

Chor der Bayerischen Staatsoper & Bayerisches Staatsorchester / Wolfgang Sawallisch

“Sawallisch's account of Anna's hysterical recitative before 'Or sai, che l'onore' is an object lesson in dramatic pacing...Raimondi is lively and witty, powerfully defiant at the end, but with little sense of the character's dark side. For my money, the male Stafford Dean...a perfect Leporello...Price as Anna is formidably secure, with lovely, smokey tone in 'Non mi dir'.”

Even at the big opera houses it’s a real stroke of luck if a production of Mozart’s Don Giovanni doesn’t just have a charismatic Don, but a whole ensemble that’s able to exert its magnetism over the assembled audience (and who thus manage not to follow the Don’s example – after all, his attempts at conquest go awry throughout the opera, with only the memories of earlier conquests remaining). This rare constellation – having an engaging title hero whose gifts are matched by the objects of his passion – in fact came about in 1973 at the Munich Opera Festival. Ruggero Raimondi was in his early 30s at the time and his unmistakeable, agile, irresistible bass-baritone voice veritably conquered the Bavarian State Opera. In the process he established himself as the Don Giovanni of his generation. But while he was the centre of attention, he was by no means the only sensation of the production. With Margaret Price as Donna Anna, Julia Varady as Donna Elvira and Lucia Popp as Zerlina he was faced with a trio of sopranos who in their individual arias and in their numerous, tricky ensemble numbers turned the evening into a musical feast – as we can now hear in this live recording of the opening night. In the midst of these powerful, highly individual personalities, Hermann Winkler’s lyric dramatic tenor and Stafford Dean’s agile lyric buffo bass were well able to hold their ground as Don Ottavio and the servant Leporello respectively. Enrico Fissore offered a vigorous Masetto, while Giovanni’s final descent into hell – which leaves shivers down many a spine – was made doubly gripping by the dark bass of Kurt Moll’s Commendatore and by Wolfgang Sawallisch at the helm of the Bavarian State Orchestra. This was a Don Giovanni of fast-paced tempi, with a momentum brilliantly geared to the dramatic trajectory, carried by the lyrical qualities of its singers, and with a perfect sense of poise and exhilarating intimacy at just the right moments.
Artikelnummer C846153
Streckkod 4011790846323
Utgivningsdatum 2015-01-09
Kategori Opera
Skivbolag Orfeo
Enhet CD
Antal enheter 3
Artister Raimondi, Ruggero
Dirigenter Sawallisch, Wolfgang
Kompositörer Mozart, W A
Orkestrar Bayerisches Staatsorchester
Disk: 1
1 Ouvertura 5'56
2 Atto primo: Introduzione: Notte e giorno faticar 5'54
3 Atto primo: Leporello, ove sei? 0'26
4 Atto primo: Ah! Del padre in periglio 0'12
5 Atto primo: Ma qual mai s'offre 6'55
6 Atto primo: Orsù, spicciati presto 1'16
7 Atto primo: Ah chi mi dice mai - Chi è là? 5'34
8 Atto primo: Madamina, il catalogo 5'37
9 Atto primo: Giovinette che fate all´amore 1'25
10 Atto primo: Manco male è partita 1'57
11 Atto primo: Ho capito, signor sì 1'29
12 Atto primo: Alfin siam liberati 1'43
13 Atto primo: Là ci darem la mano 2'52
14 Atto primo: Fermati scellerato 0'37
15 Atto primo: Ah fuggi il traditor 1'19
16 Atto primo: Mi par ch´oggi il demonio si diverta 0'57
17 Atto primo: Non ti fidar, o misera 3'49
18 Atto primo: Povera sventurata! 0'21
19 Atto primo: Don Ottavio, son morta! 3'16
20 Atto primo: Or sai, chi l´onore 3'10
Disk: 2
1 Atto primo: Io deggio ad ogni patto 1'32
2 Atto primo: Fin ch´han dal vino 1'28
3 Atto primo: Masetto: senti un po´! 1'09
4 Atto primo: Batti, batti, o bel Masetto 3'49
5 Atto primo: Guarda un po´ 0'34
6 Atto primo: Finale. Presto presto pria ch´ei venga 6'07
7 Atto primo: Protegga il giusto cielo 2'27
8 Atto primo: Riposate, vezzose ragazze 9'10
9 Atto secondo: Eh via buffone, non mi seccar 1'03
10 Atto secondo: Leporello. - Signore. - Vien qua 1'36
11 Atto secondo: Ah taci, ingiusto core 4'16
12 Atto secondo: Amico che ti par? - Eccomi a voi! 1'46
13 Atto secondo: Deh, vieni alla finestra 1'50
14 Atto secondo: V´è gente alla finestra! 1'06
15 Atto secondo: Metà di voi qua vadano 2'37
16 Atto secondo: Zitto! Lascia ch´io senta 2'05
17 Atto secondo: Vedrai, carino 3'43
18 Atto secondo: Di molte faci il lume s´avvicina 0'30
19 Atto secondo: Sola, sola, in buio loco 7'24
20 Atto secondo: Dunque quello sei tu 0'19
21 Atto secondo: Ah pietà, signori miei 1'39
22 Atto secondo: Ferma, perfido, ferma… 0'38
23 Atto secondo: Il mio tesoro intanto 4'23
24 Atto secondo: In quali eccessi, o Numi 5'58
Disk: 3
1 Atto secondo: Ah, ah, ah, ah, questa è buona 4'05
2 Atto secondo: O statua gentilissima 3'35
3 Atto secondo: Calmatevi, idol mio 0'43
4 Atto secondo: Crudele! - Non mi dir 6'55
5 Atto secondo: Finale: Già la mensa è preparata 4'44
6 Atto secondo: Finale: L´ultima prova dell´amor mio 3'22
7 Atto secondo: Finale: Don Giovanni, a cenar teco 7'20
8 Atto secondo: Finale: Ah dove è il perfido 6'44
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