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Goodyear, Stewart - For Glenn Gould - Various


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“a phenomenon” —Los Angeles Times “one of the best pianists of his generation” —Philadelphia Inquirer Program Notes by Stewart Goodyear It was the year Glenn Gould died when I first heard his legendary name. It was his Bach that introduced me to his playing. His sound struck me immediately...a sound that was compelling and uncompromising. It was not designed to speak words of mere prettiness, but of an individual truth. Was Gould cerebral or emotional? One heard in his interpretations a mind passionately fierce in its convictions. His concert programs were striking. To the concertgoer used to seeing a program of Beethoven, Chopin and Liszt, Gould’s programs of Gibbons, Sweelinck, Bach, Webern, and Berg must have seemed daunting on paper. I had the great honour of performing that exact program, the same program with which Gould presented his US debut at the Phillips Collection, and his debut at the Ladies Morning Music Club in Montreal. Never before had a concert program made so much sense to me. I hope the audience would say the same...I know my spirits were lifted playing this program. Orlando Gibbons and Jan Sweelinck were composers I knew from singing their motets at a choir school I attended in downtown Toronto. I had no idea until I started learning Gould’s program that these two composers had works for solo keyboard! Their harmonies, melodic structure, and ornamentation were just how I remembered them back in the choir school days. Bach’s Sinfonias also brought me back to my childhood, when I would sing the middle line in each three-part invention, while playing the other two voices on the piano. The 5th Partita took me back to a dance class I took in school, learning the steps to an Allemande, Courante, and Sarabande. Alban Berg was introduced to me by way of Wozzeck, and ever since, I have always felt the composer as operatic. Berg’s Piano Sonata, to me, was as potent as Isolde’s Liebestod. My favourite recording of Glenn Gould is his album of Brahms’ Intermezzi. I felt, through that recording, that I got closer to understanding who Gould was as an artist. In the composers discussed before, I heard Gould the passionate theorist, dancer, and singer. In Brahms, I finally heard Gould, the salon artist, the homebody cozying up in his summer home in Lake Simcoe. My decision to record Glenn Gould’s program came right after performing it in Montreal. While paying homage to one of the great Canadian legends, I was being transported to childhood memories of growing up in Toronto, Gould’s home town, studying at the Royal Conservatory, Gould’s home alma mater, and being an artist from Canada, Gould’s country. Stewart Goodyear is an accomplished pianist as a concerto soloist, chamber musician, recitalist and composer. Mr. Goodyear has performed with major orchestras of the world including the Philadelphia Orchestra, New York Philharmonic, Chicago Symphony, Pittsburgh Symphony, San Francisco Symphony, Los Angeles Philharmonic, Cleveland Orchestra, Academy of St Martin in the Fields, Bournemouth Symphony, Frankfurt Radio Symphony, MDR Symphony Orchestra (Leipzig), Montreal Symphony, Toronto Symphony Orchestra, Dallas Symphony , Atlanta Symphony, Baltimore Symphony, Detroit Symphony, Seattle Symphony, Mostly Mozart Festival Orchestra, Royal Liverpool Philharmonic, and NHK Symphony Orchestra. Known as an improviser and composer, he has been commissioned by orchestras and chamber music organizations, and performs his own solo works. This year, Mr. Goodyear premiered his suite for piano and orchestra, “Callaloo”, with Kristjan Jarvi and MDR Symphony Orchestra in Leipzig, and in July of this year, the Clarosa Quartet will premiere his Piano Quartet commissioned by the Kingston Chamber Music Festival. Mr. Goodyear performed all 32 Beethoven Piano Sonatas in one day at Koerner Hall, McCarter Theatre, the Mondavi Center, and the AT&T Performing Arts Center in Dallas. Stewart received Juno nomination for Best Classical Album for Soloist and Large Ensemble Accompaniment. Also for Steinway and Sons is Mr. Goodyear’s recording of his own transcription of Tchaikovsky’s “The Nutcracker (Complete Ballet)”, which was released October 2015 and was chosen by the New York Times as one of the best classical music recordings of 2015. stewartgoodyearpiano.com
Fakta
Artikelnummer DSL92220
Streckkod 0053479222022
Utgivningsdatum 2018-03-23
Kategori Klassiskt
Skivbolag Dorian Sono Luminus
Enhet CD
Antal enheter 1
Utövare
Artister Goodyear, Stewart
Kompositörer Various
Disk: 1
1 Aria, from "Goldberg Variations" BWV 988
2 Piano Sonata, Op. 1
3 Intermezzo, Op. 117, No. 3 in C-sharp minor
4 Intermezzo, Op. 118, No. 2 in A major
5 Partita No. 5 in G major, BWV 829
6 Partita No. 5 in G major, BWV 829
7 Partita No. 5 in G major, BWV 829
8 Partita No. 5 in G major, BWV 829
9 Partita No. 5 in G major, BWV 829
10 Partita No. 5 in G major, BWV 829
11 Partita No. 5 in G major, BWV 829
12 Sinfonia No. 4 in D minor, BWV 790
13 Sinfonia No. 11 in G minor, BWV 797
14 Sinfonia No. 14 in B-flat major, BWV 800
15 Sinfonia No. 8 in F major, BWV 794
16 Sinfonia No. 7 in E minor, BWV 793
17 Fantasia in D
18 Lord Salisbury's Pavan and Galliard, for keyboard,
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