Henriksson, Marianna - Frammenti del discorso amoroso - Various
Leveranstid: Skickas vanligtvis inom 2-5 dagar
At the turn of the 16th into the 17th century, humanists and classicists based mainly in Florence drafted new ideals for music and performing arts. They preferred monody, a single voice speaking-singing that would touch the listener in a way defined in the words; for them music must be in the service of the text, thus conveying contrasting emotions as effectively as possible. The harpsichord music on this album bears the same ideals of monodic expression of contrasting emotions, albeit without lyrics. It is speech without words, emotional recitative on the keyboard. Harpsichordist Marianna Henriksson graduated from Sibelius Academy, Helsinki, and achieved Konzertexamen at Universität der Künste, Berlin, under the tuition of Prof. Mitzi Meyerson. Henriksson performs internationally as a soloist and as a member of many different ensembles. She takes a special interest in interdisciplinary collaboration. This is Marianna Henriksson's debut solo recording.
Disk: 1 |
1 |
Toccata |
|
|
2 |
Pass' e mezzo |
|
|
3 |
Toccata del secondo tono |
|
|
4 |
Capriccio cromatico |
|
|
5 |
Cento partite sopra passacaglia |
|
|
6 |
Ballo della battaglia |
|
|
7 |
Toccata settima |
|
|
8 |
Toccata de Passacagli, e ciascheduno può sonarsi à |
|
|
9 |
Toccata duodecima |
|
|
10 |
Ciaccona |
|
|
11 |
Toccata prima per cembali et organi, con pedarole |
|
|
Skriv din egen recension
Du måste logga in för att kunna skriva en recension
Om du tycker om
Frammenti del discorso amoroso, berätta det gärna för dina vänner! Du kan snabbt och enkelt dela denna sida direkt på Facebook, Twitter och via e-post här nedanför.
Om du har ett Facebook-konto och vill dela med dig av denna sida till dina vänner, klicka på länken här nedan.
Dela på Facebook
Om du har ett Twitter-konto och vill dela med dig av denna sida till dina vänner, klicka på länken här nedan.
Dela på Twitter
Du måste logga in för att kunna tipsa via e-post