Piazzolla, Astor - Histoire du Tango - Seo, Kazunori
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The combination of flute and guitar was a feature of early tango recordings – instruments central both to the genre and to the music of Astor Piazzolla. The composer’s quintessential Histoire duTango charts the form’s evolution from its appearance in the barrios of Buenos Aires to its eventual assimilation by classical composers. The Six Études tanguistiques for solo flute is Piazzolla’s only work for a melodic unaccompanied instrument. The remainder of the program presents a sequence of arrangements by Vicente Coves and Kazunori Seo and includes some of Piazzolla’s most famous and beautiful compositions as well as preserving a historically important, previously unreleased recitation by Horacio Ferrer.
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Histoire du Tango (History of the Tango): I. Borde |
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Histoire du Tango (History of the Tango): II. Café |
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Histoire du Tango (History of the Tango): III. Nig |
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Histoire du Tango (History of the Tango): IV. Conc |
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6 Études tanguistiques: No. 1. Décidé |
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6 Études tanguistiques: No. 2. Anxieux et rubato |
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6 Études tanguistiques: No. 3. Molto marcato e ene |
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6 Études tanguistiques: No. 4. Lento. Meditativo |
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6 Études tanguistiques: No. 5. — |
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6 Études tanguistiques: No. 6. Avec anxiété |
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Milonga del Ángel (arr. V. Coves for guitar) |
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La Muerte del Ángel (arr. V. Coves for guitar) |
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Chiquilín de Bachín (arr. V. Coves for guitar) |
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Libertango (arr. V. Coves for guitar) |
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Ave Maria, "Tanti anni prima" (arr. V. Coves and K |
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Balada para mi muerte (arr. V. Coves for reciter a |
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