Keeley, Rob - Orchestral Music - Mann, Paul
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The music of Rob Keeley – born in south Wales in 1960 but immersed in London musical life since boyhood – embraces a wide range of influences. Stravinsky’s angular melodies and Tippett’s buoyant rhythms can be heard in the spiky but bucolic Second Symphony. Keeley readily confesses to an allegiance to Gallic Neo-Classicism in his Flute Concerto and, more surprisingly, reveals a taste for Telemann as the inspiration behind his Triple Concerto, with the ‘Enigma’ Variations of ‘my beloved Elgar’ acting as a model for Keeley’s own recent set of orchestral variations. Among the factors unifying these eclectic stimuli into an individual musical language are a concern for textural clarity and lightness of touch, a fondness for dance and a hint of good humor.
Disk: 1 |
Symphony No. 2 | |
1 |
I Allegro molto |
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2 |
II Scherzo: Allegro con brio |
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3 |
III Adagio molto |
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4 |
IV Allegro molto |
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5 |
I Andantino |
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6 |
II Adagio – Allegro molto |
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7 |
I Allegro molto |
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8 |
II Scherzo: Presto |
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9 |
III Andante con moto, misurato – Andante, quasi un |
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10 |
Theme: Andante moderato |
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11 |
Variation 1: Allegro |
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12 |
Variation 2: Stesso tempo |
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13 |
Variation 3: Lo stesso tempo |
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14 |
Variation 4: Meno mosso |
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15 |
Variation 5: Allegro |
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16 |
Variation 6: crotchet = 144 |
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17 |
Variation 7: Slower |
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18 |
Variation 8: Allegro vivace |
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19 |
Variation 9: Allegro |
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20 |
Variation 10: Andantino |
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21 |
Variation 11: Vivace |
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22 |
Variation 12: Adagio |
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23 |
Variation 13: Presto |
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24 |
Passacaglia-Finale |
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