Alwyn, William - Piano Music Vol. 2 - Wass, Ashley (piano)
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Alwyn's approach to writing for the piano was essentially that of a romantic, born out of the tradition exemplified by Liszt and Rachmaninov, through to the impressionism inherent in the music of Debussy and Ravel. Influences aside, however, Alwyn found his own individual way in writing for the piano, as can be heard from the works presented here. His intuitive writing for the instrument resulted not just in virtuoso pieces for the concert hall, but also sensitive miniatures of a highly expressive nature, along with many educational pieces for examination purposes. As with the previous volume of piano music (8.570359) examples of all these will be found on this recording.
| Disk: 1 |
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| Movements | |
| 1 |
No. 1 in E flat major |
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| 2 |
No. 2 in A major |
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| 3 |
No. 3 in A major |
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| 4 |
No. 4 in F major |
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| 5 |
No. 5 in D major |
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| 6 |
No. 6 in G and F sharp major |
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| 7 |
No. 7 in B major |
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| 8 |
No. 8 in E flat major |
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| 9 |
No. 9 in C major |
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| 10 |
No. 10 in D major |
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| 11 |
No. 11 in D flat major |
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| 12 |
No. 12 in D major |
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| 13 |
No. 1. Midsummer Magic |
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| 14 |
No. 2. The Darkening Wood |
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| 15 |
No. 3. Ride by Night |
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| 16 |
No. 1. From the Countryside |
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| 17 |
No. 2. Paddy the Fiddler |
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| 18 |
No. 1. Auti te pape (Woman at the River) |
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| 19 |
No. 2. Le Vivo (Danse Tahitienne) |
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| 20 |
No. 3. Manao Tupapau (She Dreams of Returning) |
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| 21 |
No. 4. Dance Fragment |
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| 22 |
No. 5. Nevermore |
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| 23 |
No. 6. Te Atua (The Gods) |
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| 24 |
No. 7. Mahna No Varua Ino (The Devil Speaks) |
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| 25 |
Cinderella |
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| 26 |
Water Lilies |
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| 27 |
Night Thoughts |
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| 28 |
I. Allegro appassionato - Allegro ma non troppo |
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| 29 |
II. Evocation: Andante rubato |
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| 30 |
III. The Devil's Reel: Allegro ritmico |
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