Polonica - Gondko, Michal
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In addition to the works attributed to the lutenists active at the Royal Polish court in the late sixteenth century, there is a substantial repertoire of compositions identified as Polish dances or Polish songs which have been preserved in numerous sources of late Renaissance lute music. Characterized by an irresistible melodic charm and a straightforward harmonic and rhythmical texture, such musical polonica spread across Europe, achieving what might have been the widest distribution of musical Polishness before Chopin. Four hundred years later, Polish lutenist Michal Gondko sets out to trace polonica in lute tablatures from around 1600, and presents a selection of forty compositions, many of which have not been previously recorded.
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1 |
Chorea eiusdem nationis |
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2 |
Chorea polonica |
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3 |
Chorea polonica eiusdem authoris |
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4 |
Cantio polonica |
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5 |
Polnischer tantz |
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6 |
Villanella ad |
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7 |
Villanella polonica |
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8 |
Finale alberti dlugorai |
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9 |
Fantasia ad |
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10 |
Polskey tanecz welmy pekney |
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11 |
Polnisch tantz |
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12 |
Ein pol(n)ischer tantz (bathori) |
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13 |
Praeludium diomedis |
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14 |
Galliarda di diomede |
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15 |
Danza |
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16 |
Caspari poloni gagliarda |
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17 |
Fantasia alberti dlugorai poloni |
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18 |
A pollish vilanell |
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19 |
A polish ayre |
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20 |
Ballo polaco |
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21 |
Chorea polonica mowi na mie sasiada |
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22 |
Ein polnischer tantz (zuzanneczko) |
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23 |
Chançon a la polonnoise susannesco |
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24 |
Autre taned spolski |
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25 |
Balletto polacho |
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26 |
Allemande (bathori) |
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27 |
Taned Spolski |
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28 |
Galliarda eiusdem authoris |
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29 |
Fantasia Iacobi Reys |
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