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Laurin, Dan (recorder) - Recorder Graffiti



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Dan Laurin is one of Scandinavia's extremely versatile musicians. At the age of 19 he recieved his diploma with absolutely top marks, having studied at the fynske Conservatory of Music in Odense, Denmark. A couple of years later he made his very successful debut in Copenhagen.

Having recieved several international awards, Dan Laurin is in great demands as a soloist. He does scores of solo concerts but also performs with the Drottningholms Barock ensemble and the trio Barock Modern.


Istampitta Ghaetta
All music is born in the present. This is also true for the 600-year-old estampies. The drumming follows ancient laws and traditions but if you think you can detect traces of a tango. Irish rythms or even a reggae in our arrangement, you are not totally wrong... Paul Höxbro was working as a musician in Peru before deciding to take up recorder studies. Here he plays an Argentinian drum expressively called a bombo. The bombo is made In one place from a hollow log. It resembles in many ways the large tabor drum which was so common in Middle Age and Renaissance Europe.

One Important difference however is that, on both top and bottom skins, you leave on some of the - as In this case goatskin's - hair.

Telemann's Fantasies
The three Fantasies are taken from a collection of twelve generations of flautists and recorder players have enjoyed the composers desire for experiment and his imaginative musical language. The place has long been one of flute standards, which is rather peculiar as title page on the original edition speaks of twelve Fantasies for violin without bass. Furthermore, Telemann's name appears only on the wrong title page and in addition, it is penciled there! But, so what?

Pastorale by Masumoto
Sadly Kikuko Mosumoto's "Pasiorale" is for too rarely played. One can really ask oneself why that is, considering the absolutely 24 carat artistic qualities and the superbly pronounced composition technique.

The place is in three parts, soundlessly joined together. The opening part Played on a tenor recorder, resembles a tumultuous toccata. Here the whole atmosphere of the piece is described In what I would call a musical synopsis: all the thoughts later to be carefully arranged, are now presented In a furious tempo with fierce chromatics, high vs low range and sound vs silence. This silence, the very will notto write a notto, is the carrying element of the second part of the piece, which is composed for the soprano recorder.

Small, at times awkward movements and attempts at phrasing. ore met by the Great Silence. The intonation Ii charged with quater notes colouring the "ordinary" chromatics. The player is also supposed to improvise freely out of his own head. However as, a base for my Improvisation lies a short theme which has already been presented. This is in fact the only example of o clearly recognisable theme in the "Pastorale :

The concluding third part is a tour de force on the tenor recorder. In a long accellerando of expressions, chords and ornaments are stacked in an increasingly dense stretto, which is then finally interrupted by a mechanically marching and heavily accentuated motif. The final phrase carries the thought to the sound of shakuhachi flutes.


Fakta
Artikelnummer IMCD012
Streckkod 7393892000122
Utgivningsdatum 1992-09-17
Kategori Klassiskt
Skivbolag Intim Musik
Enhet CD
Antal enheter 1
Utövare
Artister Laurin, Dan (recorder)
Disk: 1
Ende
1 The River 06:02
2 Istampitta Ghaetta 07:25
3 Three solo fantasies 03:42
4 Budro, an Irish dance 03:53
5 Pastorale 05:20
6 Allegro molto a la menuetto 01:29
7 Black intention for one recorder player 09:22
8 Trotto 02:03
9 From Cello suite in C-minor 11:02
10 Wat zalmen op den Avond doen 03:57
11 Ende 04:11
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