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/ Gershwin, George - Songs to Harp from the Old and New World - Mossberg, Torsten
Gershwin, George - Songs to Harp from the Old and New World - Mossberg, Torsten
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A harp creates completely different overtones than a grand piano, which makes a big difference between singing with the accompaniment of a harp, and a grand piano. The singer has to adjust the ears to a completely different sound that partly supports the song well, but also makes it difficult for the singer to intonate; the singer is more vulnerable than with a piano accompaniment. The harp’s design makes it hard for the harpist to quickly make key changes and modulations, that for a pianist is natural, or even simple. Sometimes the key has to be adapted to the harp’s capability. A good and direct communication between singer and accompanist is always essential, regardless of accompaniment. Even a flexible and sensitive harpist can experience more difficulties to shift tempo than a pianist, forcing the singer to phrase different than singing to the piano or guitar. However, such difficulties must be tackled and afterwards the cooperation can be rewarded with an emergence of a magical atmosphere. Since the harpist Stina Hellberg Agback is also a skillful improviser, another dimension is added, here in the songs by George Gershwin.
Disk: 1 |
1 |
O Captain! My Captain! |
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2 |
Dirge for two veterans |
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3 |
Es regnet |
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4 |
My ship |
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Acht Gedichte aus, Letzte Blätter, Op. 10:3 | |
5 |
Die Nacht |
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6 |
Breit' über mein Haupt dein schwarzes Haar |
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7 |
Morgen! |
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8 |
Traum durch die Dämmerung |
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9 |
Oh, lady, be good |
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10 |
Someone to watch over me |
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11 |
How long has this been going on |
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12 |
But not for me |
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13 |
They can't take that away from me |
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14 |
Love is here to stay |
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