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/ Schulhoff, Erwin - Symphonies Nos. 2 & 5; Piano Concerto; Concerto Doppio; String Quartets Nos. 1 & 2; Piano Works (6 CD) - Conlon, James
Schulhoff, Erwin - Symphonies Nos. 2 & 5; Piano Concerto; Concerto Doppio; String Quartets Nos. 1 & 2; Piano Works (6 CD) - Conlon, James
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As an internationally successful pianist and composer, Erwin Schulhoff was one of the most important Czech artists in the first half of the 20th century. For the last twentyfive years, his works are being rediscovered, and it goes to show that without him, a facet of the music of the 20th century would be missing. Not only did he abhor mainstream, but, like a sponge, he absorbed all musical currents of his time, and thus becoming a polystylist. For the first time now available in a 6 CD-Box you'll find this enormous diversity of his musically work.
The early piano pieces and string quartets, the symphonies and finally his Jazz Improvisations shows how tricky he played with the different genres and trends of his time.
| Disk: 1 |
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| 1 |
I. Allegro ma non troppo |
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| 2 |
II. Andante con moto |
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| 3 |
III. Scherzo alla Jazz. Allegro assai |
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| 4 |
IV. Finale. Allegro con spirito |
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| 5 |
I. Ragtime |
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| 6 |
II. Valse Boston |
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| 7 |
III. Tango |
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| 8 |
IV. Shimmy |
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| 9 |
V. Step |
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| 10 |
VI. Jazz |
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| 11 |
I. Andante ma molto risoluto |
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| 12 |
II. Adagio |
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| 13 |
III. Allegro con brio |
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| 14 |
IV. Allegro con brio. Allegro moderato |
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| Disk: 2 |
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| 1 |
I. Allegro moderato |
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| 2 |
II. Andante |
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| 3 |
III. Rondo. Allegro con spirito |
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| 4 |
I. Molto sostenuto |
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| 5 |
II. Sostenuto |
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| 6 |
III. Allegro alla Jazz |
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| 7 |
I. Allegro moderato |
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| 8 |
II. Largo |
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| 9 |
III. Finale. Allegro con brio |
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| 10 |
Rondo a capriccio op. 129 |
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| Disk: 3 |
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| 1 |
I. Presto con fuoco |
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| 2 |
II. Allegretto con moto e con malinconia grotesca |
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| 3 |
III. Allegro giocoso alla Slovaca |
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| 4 |
IV. Andante molto sostenuto |
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| 5 |
I. Alla Valse viennese (Allegro) |
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| 6 |
II. Alla Serenata (Allegretto con moto) |
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| 7 |
III. Alla Czeca (Molto Allegro) |
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| 8 |
IV. Alla Tango (Andante) |
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| 9 |
V. Alla Tarantella (Prestissimo con fuoco) |
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| 10 |
I. Allegro agitato |
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| 11 |
II. Tema con variazioni. Moderato |
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| 12 |
III. Allegro gajo |
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| 13 |
IV. Finale. Andante quasi introduzione |
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| Disk: 4 |
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| 1 |
I. Frisch und kräftig |
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| 2 |
II. Langsam, getragen und ausdrucksvoll |
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| 3 |
III. Menuett |
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| 4 |
IV. Rondo |
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| 5 |
I. Allegro risoluto |
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| 6 |
II. Tranquillo (Andante) |
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| 7 |
III. Burlesca |
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| 8 |
IV. Molto adagio |
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| 9 |
I. Allegro con fuoco |
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| 10 |
II. Andante cantabile |
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| 11 |
III. Scherzo. Allegro grazioso |
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| 12 |
IV. Finale. Allegro risoluto |
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| 13 |
I. Moderato |
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| 14 |
II. Zingaresca: Allegro giocoso |
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| 15 |
III. Andantino |
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| 16 |
IV. Moderato |
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| Disk: 5 |
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| 1 |
I. Allegro molto |
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| 2 |
II. Molto tranquillo - Allegro agitato |
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| 3 |
III. Allegro moderato grotesco |
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| 4 |
IV. Allegro molto |
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| 5 |
No. 1. Lebhaft, nicht zu schnell |
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| 6 |
No. 2. Schnell und leicht |
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No. 3. Ruhig flutend, etwas verträumt |
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| 8 |
No. 4. Leicht und flüchtig |
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| 9 |
No. 5. Im Zeitmass der Polonaise und äusserst rhyt |
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| 10 |
I. Moderato cantabile |
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| 11 |
II. Andante tranquillo quasi improvisazione |
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| 12 |
III. Allegro molto |
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| 13 |
IV. Marcia funebre |
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| 14 |
V. Finale retrospettivo: Allegretto moderato |
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| 15 |
No. 1 Flüchtig |
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| 16 |
No. 2 Ruhig fliessend (frei im Vortrag) |
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| 17 |
No. 3 Schnell und leicht |
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| 18 |
No. 4 Gemütlich |
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| 19 |
No. 5 Gemässigt und äusserst rhythmisch |
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| Disk: 6 |
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| 1 |
No. 1. Allegretto molto ritmico |
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| 2 |
No. 2. Allegro agitato |
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| 3 |
No. 3. Alla marcia militaristica |
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| 4 |
No. 4. Allegro ma non troppo |
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No. 5. Allegro deciso |
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| 6 |
No. 6. Tempo di Fox |
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| 7 |
No. 1 Zeitmaß "Foxtrott" |
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| 8 |
No. 2 Zeitmaß "Ragtime" |
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| 9 |
No. 3 In futurum (Tacet) |
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| 10 |
No. 4 Zeitmaß "One-Step" |
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| 11 |
No. 5 Zeitmaß "Maxixe" |
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| 12 |
Dein kokettes Lächeln (Slowfox) |
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| 13 |
Capricciolette |
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| 14 |
Butterfly |
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| 15 |
Tango |
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| 16 |
Melody Waltz |
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| 17 |
A Musical Flips |
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| 18 |
Mitternachtsgespenster (Blues) |
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| 19 |
Humoreska |
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