Tudor Organ Music (Tallis / Redford / Tomkins) - Smith, Carl
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English organists of the early sixteenth century contributed roughly one hundred polyphonic keyboard works based on liturgical plainsong which survive in manuscript copy. These settings, typically arrangements of hymns and antiphons, found their inspiration in the familiar plainsong of the day, but the beauty of these works often lies in the nuanced turns of melodic line and in the metrical sophistication resulting from the build-up of two or three independent contrapuntal lines. Many of these works may have been conceived as contributions to the regular practice of alternatim performance, in which the organist and choir would have alternated verses in the presentation of a single hymn, but the keyboard works appear to have developed a life of their own both as pedagogical works and as independent keyboard music. Given their origins in the world of small vocal works, many of the individual movements retain the delicacy of the miniature, allowing the composer the luxury of concentrating on one or two elaborative techniques.
Carl Smith, organ
Carl Smith - Tudor Organ Music
John Redford
1. Exsultet caelum laudibus
2. Sermone blando angelus
John Blitheman
3. Aeterne rerum Conditor
4. Christe qui lux
John Redford
5. Angulare fundamentum
6. Te lucis ante terminum
John Blitheman
7. Gloria tibi Trinitas I
8. Gloria tibi Trinitas II
9. Gloria tibi Trinitas III
10. Gloria tibi Trinitas IV
11. Gloria tibi Trinitas V
12. Gloria tibi Trinitas VI
Anonymous
13. La mi re
Thomas Tallis
14. Clarifica me Pater (I)
15. Gloria tibi Trinitas
16. Clarifica me Pater (II)
17. Iste confessor
18. Clarifica me Pater (III)
Thomas Tomkins
19. Miserere
20. Clarifica me Pater
21. In nomine
Anonymous
22. Felix namque
A solis ortus
23. Verse I
24. Verse II
25. Verse III
26. Verse IV
John Redford
27. Primo dierum omnium
28. Lucem tuam I
29. Lucem tuam II
30. Lucem tuam III